Why you shouldn’t fund concepts – Elbow Tape Player

I recently had my attention drawn to the Elbow tape player, a future-retro piece of equipment for playing cassettes. With the recent insurgent of cassette releases by young bands, it’s understandable that there becomes a demand of players. A quick look on ebay will show that unlike 5 years ago, a Sony Walkman is currently worth the same, if not more than what you may have paid for it in 1996.

However, take heed music lovers, because here is where funding and showing interest in something based on a very snazzy looking mock-up image and render of product proves you shouldn’t judge a book by its cover. below I have copied out my post on their Facebook page, due to a lack of anywhere public to communicate with them and the people they had garnered interest from.

Continue reading Why you shouldn’t fund concepts – Elbow Tape Player

UK Government stepping closer to locking down the internet

It’s another blow for net neutrality with Theresa May’s gang setting up the Great British Firewall

All year the government have been working hard to ensure that the internet becomes a controlled governed and restricted place for citizens. They can now access all your data without the need of a court order, or warrant, or even a reason at all. They have forced all ISPs to keep logs of all your web traffic for a minimum of 5 years, every page you visited, every address you typed, service you connected to all kept, all freely accessible to the government and its various agencies.

Today the final announcement for the wholesale blocking of pornographic content on the internet that doesn’t enforce age verification is announced to be mandatory and enforceable from April 2018.

Put the subject matter to one side if you can and think about what this actually means. the UK government – not Turkey, not China, not Greece or Egypt – THE UNITED KINGDOM, are now dictating what you can and cannot see online – based on localised laws. Please remember that www stands for WORLD WIDE WEB, not the UK intranet.

I really want other peoples thoughts and opinions on this.

What does this mean to you?

http://www.wired.co.uk/article/porn-block-ban-in-the-uk-age-verifcation-law

Amazon Music Dark Patterns for Cancellation

After discovering that children and Alexa don’t mix (unless you enjoy high card bills every month) I needed to find a way of cancelling Amazon Music subscription.

I discovered a rather dirty dark pattern in the form of switching action states. Every Amazon user will be familiar with their button sequences, yellow buttons = positive / primary action with grey buttons action as cancel / secondary actions.

Throughout the entire Amazon Music subscription cancellation process they’ve switched the button logic around. Here’s the flow in it’s gory detail.

 

Notice how this first question is in fact a feedback survey – and you can skip it using the standard link below the action buttons – but you can’t select submit and confirm cancellation until you have selected an option.Amazon Music then tries a final attempt to keep you based on your response, in this example, I’m not using it enough it shows me all the things I’ve probably not utilised yet and that there’s really a lot on offer et et et et.You’ll see that even up to the point of confirmation the buttons are reversed. Also notice that the progress indicator implies you’re finished. i wonder how many people close the window at this point never actually cancelling their subscription?

Returning to Vegetarianism

In my late teens I became vegetarian, not entirely through choice but necessity.

At 17 I began to suffer a chronic stomach problem. I simply woke up one day and couldn’t keep food down. I went from what was probably already an unhealthy wait to just under 7 stone in the space of a month. Every day I was vomiting multiple times, as soon as I ate something, it would come straight back up. Continue reading Returning to Vegetarianism

Residency for 2017 at Digital Catapult

As we begin the 2nd week of 2017 We Are AFK begins a new chapter as resident UX advisors at The Digital Catapult, Brighton.

I met the team last summer that lives in FuseBox at New England House; my home for many years whilst I was at Pure360 and is still home to many talented small businesses and smart thinkers. It’s just a shame it is so ugly, the toilets are gross and the entire place is either too hot or freezing cold.

I had an idea born from my experiences with the startup economy service Vestd where I had explored the idea of acting as a central coach to all the businesses on the platform.

What would happen if there was a person, or persons embedding in the incubator that was available like a meeting room for residents to bounce ideas about their products with, or to give them advice and teach them how to do things for themselves, or to help explore the problem space.

Would there be any interest?
Would it work?

Fortunately, for me the answers were yes, yes and OMG yes. And with that, I’m very happy to say that We Are AFK is available to the diverse group at the Digital Catapult to provide whatever they need to get their businesses moving forward and what a busy first week it has been!

I can’t go into great detail on what we’re working on just yet, but I can say that being in a space that has a current program of developing in virtual and augmented reality has already introduced some quite fascinating challenges which I’m really looking forward to getting lost in even further over the next few months.

Craft CMS and Vagrant

I have spent the last few weeks trying to get Craft CMS working on a Vagrant Box having been without a working local dev environment since August and the MacOS Sierra update.

I’m not going to document how to get Vagrant running, or virtualbox (my preferred Virtual Machine service) because you can follow the hashicorp guide on vagrantup.com instead I’m going to tell you how to get a Vagrant box working ready for installing Craft CMS and get making!

Step 1 – https://box.scotch.io/
Step 2 – Follow instructions
Step 3 – Add Craft CMS
S
tep 4 – Follow config instructions

The End.

After all that faffing, trying to get Homestead by Laraval (so that I cold run a single virtual machine for all projects) all it took was one git clone command and I was running.

Valuable lesson learnt.

A reminder on why you need to own your content

On 4th Jan 2017 Ev Williams, CEO of Medium announced that there would be 50 redundancies at Medium followed by a significant business model change.

Reading this article on about the story on Engadget highlights the deals they had made with a number of large publishers last year to act as the backbone/framework for their publishing platforms and having to introduce an advertising model to support this huge effort.

It hasn’t really paid off, with a lot of people finding the advertising to be going against the invested concept of a platform that is all about writing and reading and nothing more.

Medium is now in Siege mode, with two of their offices shutting down, The most alarming statement is:

Williams is pushing Medium to devote what time and resources it has left to finding a way to get people to pay for “good” content.

‘What time and resources it has left.’

That to me sounds like Medium is going to be starting the looking for a buyer exercise knowing that they have millions of dollars of debt from their hefty VC funding.

Back in April of 2016 I wrote on this blog about why I was making a strong stand against the endorsing of setting up blogs solely on Medium that was being advocated by the Happy Startup School (you can read more on the below link).

A motivator behind that was raising the awareness not just of the ownership/licensing rights you have with Medium, but that they will sell or go bust and then everything you have done needs a new home. You’ll lose all that SEO juice as the marketers like to call it and then what will become of you?

Why you shouldn’t move your blog to Medium

Updated: What you need to know about using VPN in the UK

At the end of November 2016 the UK government stealthily put into play the Investigatory Powers Act, commonly referred to in the media and public as The Snoopers Charter. Since then online journalism has gone into overdrive talking about using VPNs. I’ve been using VPNs infrequently for a number of years, whilst travelling, or using public wifi spots. I’ve now reach a point of an always on VPN mentality. Here’s what I’ve learnt this Christmas in what I’m dubbing the advent calendar of privacy. Continue reading Updated: What you need to know about using VPN in the UK

#BDFKarting Championship 2016

I’ve been waiting for the Digital Festival team get their act together on the site for months now and can’t wait any longer. It’s happening, it’s real On September 7 2016 at Teamsport Brighton, there will once again be a night of Go Karting and it is open to anyone in the Brighton area to take part.

The format is simple, teams of 4 take part in a 90 minute endurance race to be crowned #BDFKarting Champions 2016 and it’s once again at the unbeatable price of £99.00+VAT per team of 4. You cannot get this offer any other time of the year with each driver usually costing £35.

If you would like to know more about the event here’s the official event page – http://bit.ly/BDFKarting.

Employability and expectations in the workplace

In April this year I was interviewed as part of a study by now graduate, and soon to be secondary school teacher Larna Pantrey-Mayer as part of her final study on the current state of the design industry as an employer and what to expect as a new member of the workforce so to speak.

Larna interviewed a number of business owners in Brighton, from well established companies in the area and having seen a recent talk of mine contacted me for an alternative perspective. Continue reading Employability and expectations in the workplace

All change! New bike purchase Yamaha R1

It was time. I’ve been contemplating the move to a new set of wheels for  most of the year and held back because I wanted to take a few things out. It started off with Suzuki day back at the start of May where I took out the 2015/16 Suzuki GSXR1000 for a test ride. I don’t know if it was the bike itself or the circumstance in riding in a group but it felt lifeless, somewhat dull and more than a disappointment.

Shortly after that I took out a 2008 Yamaha R1 and was taken back by how comfortable I found it. The riding position was nowhere as extreme as many make out it to be, bars are quite wide and the seat more than enough room for me and to move around on.

Shortly after that can a trip to Snowdonia, travelling with a group of Adventure riders, I held my own on some very questionable terrain and narrow mountain passes. The experience still wasn’t enough to make me want to say yes to the world of upright bikes and cumbersome all terrain monsters like the Triumph Explorer or the recently revived Honda Africa Twin.

That was all until an ad for Yamaha’s Darkside tour going to Boxhill for a day of test riding the all new Yamaha MT-10. It had to be worth a go right? Instead of wasting an entire day at a cafe, I hooked up with P&H Motorcycles in Crawley, to take one for a spin. The experience of a crossplane crankshaft really is like no other and by the end of the ride I was left in a predicament. The MT-10, not only is one beast of a machine, it’s immensely affordable. Retailing at £10,000, with a £1,000 deposit you can be walking away with one for just £119.00 a month on finance with the insurance being near enough the same for the year fully comprehensive.

But then ebay turned up a suprise. Fastlane in Tonbridge have been around longer than I have; having grown up in the street behind the workshop. I’ve been looking for a 2009 R1 in good condition for a few months and every time one local appeared that was worth looking at they were gone before I made the phone call. I wasn’t taking that chance again and so I headed over and traded up. Didn’t even fire it up, I just knew it was time, and the right one. Turns out I got more than I bargained for..

I’ll do a full rundown video in the coming weeks, but let’s just say I don’t think the guys at Fastlane knew exactly what was under the hood.

You can find all my Motovlogs, including the various bike tests on my Youtube channel.

Seek Nothing Interviewed on Lost In Brighton

At the start of June, I went on tour with Berlin based Hardcore band Seek Nothing as a lowly tour driver. Whilst on a break in Brighton Ant, bassist of the band and my old mucker was interviewed on Lost In Brighton. Check out the interview here https://www.mixcloud.com/lostinbrighton/lostinbrighton-episode-28-the-seek-nothing-special/.

https://seeknothing.bandcamp.com/

Here There Be Monsters Reunion

February 2013 was the last time my EC1000 rang a tirade of white noise, and gutteral sputs from 4×12 speaker cones, perfected through years of engineering. I remember I was recovering from flu. Both my ears were completely blocked, my eyes swelled, and I felt like I was hulking out of my clothes.

That same night, our tour pals Lands had a spectacular performance involving 30 seconds of sound, and then an hour of silence as the vocalist, seemingly walked off the stage, fell, and broke his leg. I’d like to say it was the only Here There Be Monsters show where bones were broken, but it wasn’t.

Last night, nervously, we got back together for the first time in over three years to begin rehearsals for a one-off event: Mammothfest. We’re headlining the RIKSTOCK stage at The Prince Albert, named after a dear friend who lost his life just months before our final show. It’s a genuine honour to have been asked to do this and it didn’t take much thinking time for us to say yes – it’s time.

Being all together at the same time is rare these days. Since our departure from band-life, some of us have moved to other countries, got married, had children, bought houses, all those seemingly grown up things that you realise, don’t make you any different, but they’re certainly life altering experiences. Back in Monster Studios again, our home for so, so many years and it was great to slide back into the familiar, the gear is still in perfect condition, it’s clean, and sounds epic.

gang back together at Monster Studios
gang back together at Monster Studios

Meanwhile, I’m currently on tour, once again, taking my place as Tour Monkey, with Anthony’s latest endeavour, Seek Nothing. A Hardcore band from Berlin with members from Sweden, France, Germany and England they are really something else. If you have a spare 20 minutes this weekend and you’re in the region of Bournemouth, Exeter or Bristol, you should come watch.

 

2015 In A Second

I completely forgot about this. Last year, @jvbates set a challenge to do something every day for 100 days. I never quite fulfilled it, but at the same time it got me thinking about trying to take more videos and photographs every day. Like many people I’m sure, I was inspired by the sequence in Chef, that showed their journey using a 1 second video a day and so, with the app I began logging as many things as I could. Continue reading 2015 In A Second

Finding Your Strengths

The first module at Happy Startup School is about passion. One of the exercises has you undertake a survey to uncover your hidden strengths. Once we’ve taken the survey, our task was to think of ways which we can practice the top 3, or 5 every day, to explore them further and find ways of harnessing their positivity into what we do. Continue reading Finding Your Strengths

There’s a shortage of skills for advertising online

In this article by head of Hogwarth Worldwide, a global ad agency, Chris Ball expresses his concerns that we have a skills shortage in the advertising industry because now all the ad networks have ceased using flash, preferring HTML5. What grates me the most is that Creative Bloq are so content in having paid content that they didn’t at any point care to correct Chris in his entire statement that it is HTML5 that he is talking about when of course, he is not. Continue reading There’s a shortage of skills for advertising online

Vehicle tax renewal – the greatest online experience?

I’ve just renewed the tax for another six months of glorious motorcycle lifestyle; although the number of weekends I’ve been out are outweighed by the number I have.

Now we no longer require a visible tax disc in the UK, the ability to pay online has become even easier, so much so that the only thing the form requires is the payment card details! It was truly amazing experience and was over in less than 5 minutes. It asked me if I wanted to provide my email address and my phone number, both of which were optional, and only if I wanted to receive a copy of the payment receipt; which you can print at the end of the transaction if you wish to.

Kickstarting the dream

Every Friday is the same I go to the fridge, pull out the latest crisp and chilled craft beer, my hand reaches into my pocket, my keys dangle from the lanyrd. I draw the keys up through my hands and they gravitate towards that crowned bottle cap… only wait. Something is wrong… I…. I can’t get in… I’m being denied this refreshing reward for yet another weeks hard work, what’s happened? Oh that’s right, I kickstarted a Pico Bottle Opener and it still isn’t opening my drinks :'(

Did someone say Facial Pudding?

Every few months, I check back in on Thrash Hits. Today I found a final farewell post, it’s over, nobody has the time so long, farewell. http://www.thrashhits.com/2015/05/goodbye/. Raz, and shortly after Hugh made things happen for me, and gave me opportunities that I didn’t always capitalise on. It’s safe to say, if I had, I’d be living in London right now and scraping a living as a photographer for whatever music rag would take my work, or for someone much bigger, but that’s another story entirely.

I had good times with Thrash Hits, made some good friends, and I admit, I’ve not kept in touch with any of them, much to my own lazyness, but also feeling more and more disconnected from the world we were part of and tried to help shape. I wrote and took photos for Thrash Hits for a number of years. I rebuilt the site on more than one occasion after virus attacks and some bad times being delisted by Google. We shot festivals, shows, and some great editorials, like the come-back of Eearthtone9. It was as independent as anything could ever be. We got into some fights with a few bands, Raz became a Meme on Tumblr, had t-shirts made of it, and a whole series of quite bizarre video interviews at Download, Sonisphere and anywhere else we could get into.

In a more than strange way, if it weren’t for Raz, I’d not meet the wonderful woman I share my life with now.

I found myself a few years ago struggling to write anything about an album that wasn’t expressing how shit I felt it was, failing to hone what I have gained later on in producing reviews of things without personal bias. Thanks to Hugh, I have become a far greater writer and it has made a huge impact on my day-job and made me an far better UX Designer.

http://33.media.tumblr.com/tumblr_m71paai7di1r93zizo1_500.gifBlack Veil Brides

What Thrash Hits did provide for me, wasn’t just opportunities to document artists, whether they lived long or burnt out and faded away but it showed me things I never knew existed, I was able to experience the entire #ukswell before it imploded on itself, see early shows of bands that are now striving forward into the mainstream, and experience some momentous occasions like the return of Earthtone9 at Sonisphere, this little band called Turbowolf playing to Hugh, Raz, myself and maybe 10 other people in a tent at Offset, meeting shit loads of people I never thought I would spend 5 minutes with like Jerry Cantrell, Kurt Ballou, and so, so many others.

I can’t recall the last time I saw either of them, Hugh maybe a few years back at Soundgarden in Hyde Park? and Raz I have recollection of being at Islington Academy so that must have been for Will Haven reforming… fuck that was so long ago. Being by the sea whilst everyone else was in London really hit home to me at the point where I ‘handed in my pass’, I was struggling to stay in it when London pretty much runs the media in the UK, doesn’t matter how much I think Brighton has had a scene at the time, it wasn’t sustainable compared to the power and accessibility of London and I just couldn’t move up there. Sometimes I wish I had.

So, Raz has done all kinds of things with major magazines, so has Hugh and now I think Raz lives in LA, the only way I know this is somehow I got email marketed by the company he now works for and I recall having an email convo with Hugh about hosting or some other techy diarrhea maybe this time last year. I know, like me, they’re still out, still hitting shows, and most likely still writing something for someone somewhere. I hope it continues.

Raz & Hugh – Fuck you guys. Enjoy the sunshine, I hope we see each other soon.

Raz and Hugh Thrash Hits

Driving Blind

Another May Bank Holiday. Another game finished. Another missed opportunity for a ride out because of hangovers. Another trip to London for a show. Another birthday party. Another drive home late in the dark. Another speeding ticket.

Same old Blood: Wolfenstein

After picking it up a few weeks ago I finished off Wolfenstein: The Old Blood on Xbox One. Prior to selling my Xbox the first time around I had played through Wolfenstein: The New Order and found it just OK. The story was novel, reminded me a little of Resistance on PS3 for some reason, but it was again suffered the FPS grind of non-stop shooting… stuff. Wolfenstein has become synonymous with violent graphical content during its cut scenes, which New Order certainly didn’t fall short of and Old Blood doesn’t step out of this trend with torture, dismemberment and other unpleasantries.

I’m sure it isn’t a case of getting older – I found the entire Dead Space franchise dull as a result of its 80s ultra-violence chique, Wolfenstein The Old Blood was kinda lame. The only reason it took me more than a day to finish this edition was because I couldn’t be patient in the more stealthy sections failing to see the value in not killing everyone, I mean, why would your character, a sole-surviving American Soldier want to spare the lives of a few Nazi troops, or not dismantle the numerous killing machines littered throughout the map?

So far 2015 has had a piss poor release schedule for Xbox One, Ori And The Blind Forest being the only game to have come out this year that has stunned me with how challenging and great I found it, and with Project Cars feeling like a long time to produce something inaccessible to most with it’s twitchy handling, excessive menus and load times and claim to be ‘for the simulation enthusiasts’, I’m starting to once again feel like console gaming has hit a rough patch. We’re now into the second year of the current generation consoles and sales are continuing to grow in their millions, but what is there to offer? The service my Xbox One still provides me more than anything else is access to Youtube with a great autoplay feature on my subscriptions, Netflix, and other television apps.

I’d say we’re swinging back towards the original intention of the Xbox One team of it being the single black box in your living room and if there was a way to receive Virgin media cable TV straight into it without the need for the receiver box it would quite possibly serve that purpose in my household.

The Engine Business Analogy

In a MotoGP race season, you get a maximum of 5 engines as a manufacturer team, you are expected to be able to manage your bikes efficiently in order for these engines to last the 18 races in a year. You drive to the limit all the time, changing up a gear when you hit the red on the rev limiter until you max out. Spending too much time at a high RPM causes the engine to fail. If you blow up an engine in the first quarter of the season that engine will never be used again. You can’t repair them. You can’t add bits on and hope it will do one last race and you can’t stick two broken engines together and make one slightly less shit one. It is scrap. Ready for the heap. If you’re lucky you can sell it to an artist, to be turned into a coffee table base to be plonked in some rich guy’s apartment in Monte Carlo, only to be seen for 1 week of every year when the race comes to town.

Abstracting javascript needs from CSS

It all started when I discovered jQuery. It was just the thing I was after, a fast way to learn javascript with the ability to write less and do more. The way you can manipulate the elements on the page by using a class instead of an ID made creating zebra striped tables with ease, dropdown submenus in seconds, it made me a better coder, or so I thought.

I never really followed through on learning javascript as a result and worse still failed to keep up with what was going on with the one thing that was important HTML. Since my departure from the official world of being a front-end developer almost 6 years ago now, quite a lot has become standardised or common practice. The biggest win for me recently has been understanding the data attribute better; because I still dabble for prototyping things and pet projects.

It makes everything beautiful. Now I’m using the data attribute as a hook for javascript, my CSS class names are more focussed on the style they’re applying to the element, although I haven’t reevaluated whether there is an argument for removing classes that describe the function of the element rather than the appearance we are giving it. When you think about it what is the style of (shopping-cart shopping-cart--empty), is it reflective of the colour, or shape, or is it describing the contents contained within that markup?

Right now I am working on a prototype with a focus on interaction design. I’ve been considering all the right things, what can I do without javascript? CSS animation can cover quite a lot now and is well supported, but it does have some horrible illogical markup. If I can’t use css-only for something, this is when I turn to javascript. Following a conversation with Graham, I’ve created two default data attributes (data-enabler, data-enhancer). Enablers are things like a link that triggers a modal (I’m now only using the default dialog element, that’s a whole other story), with enhancers being an element which can be made more interesting with some javascript – but will still work without it. So this might be for example a nested menu, or an element that expands, or maybe dynamically loaded in.

The success of code that lasts beyond the current lick of paint, or future functional development I believe lies in this move towards further separation of HTML for outputting content, CSS for presenting that content in style and javascript for interaction design.

Investing in yourself

It’s now April. This is the first post I have written in 2015, although not the first thing I have written in general. This site, is more for me than anything else and this year, I chose to not make it a priority which is why you can’t find it on a link, it’s more an easter egg behind my one page than it is a functioning place for sharing knowledge or thoughts. Continue reading Investing in yourself

Finding Meaningfulness

In the past few weeks it was announced that Nixon Mcinnes were closing down, well, not entirely. The business has drastically changed direction since its inception, in a direction which made sense to me, from educating and providing a service for organisations to understand how to use social media, to becoming more focussed on business coaching and helping businesses become more meaningful with their work. This in turn spurned the idea of Meaning. Continue reading Finding Meaningfulness

Back to The Forum for Devil Sold His Soul

I am ashamed to say, until last night I had not been to The Forum in Tunbridge Wells, since Here There Be Monsters played August Bank Holiday 2 years ago (video of show on Youtube). Worse still, is that in all this time I’ve never taken Cami there. Over the past 3 years we’ve driven past countless times, off to visit my parents, soon to be relocated to the west country meaning there will be fewer reasons to drive past come next year. Except there wont be.

I’ve never hesitated in expressing my disliking of Tonbridge where I grew up and the adjoining Tunbridge Wells, however there is one aspect of it that I will never shun and that is The Forum, most importantly the people that make The Forum. It has never just been a building on the common, although most who walk past it would think so, it is more than that. Founders Jason and Mark created something far bigger than perhaps they would have ever realised but for many teenagers in the area it is a rite of passage. At 13 I was going to shows there with an accompanying adult (in the form of my neighbour), and watching bands that now you will have never heard of. Symposium blew my mind, Manson, Elastica, Sleeper, Bluetones I entered the venue experience at an interesting time of  british music and every weekend something was happening Friday and Saturday night and I wanted to consume it all.

I digress. We arrived in town parked up, and walked down to the Pantiles, being Cami’s first jaunt it only seemed right to give her the brief guided tour. I was also on the hunt for the faces of The Forum, with the old crew now responsible for much of the public establishments in the Pantiles area. My final stop; as is always the case, was the Sussex Arms where I found Jason and Pat hanging lights across the courtyard.

Jason and Patrick putting up Christmas Lights in the courtyard at the Pantiles in Tunbridge Wells

We stayed around as Jason asked me to do the honours of turning on the remainder of the lights once Pat had finished trying to stay on top of the ladder. Now, this in itself is what makes The Forum something unique. You see Pat is an airline pilot. This is something he was doing because he was in town, and wanted to chip in helping out making Tunbridge Wells somewhere people want to be. Later on that night he would do the lighting for Devil Sold His Soul at the club, and then help clean up. And that’s what this place, this community is about. Something that I understood, but never appreciated when I was part of it. Foolish.

Cami's first trip to the Sussex Arms in Tunbridge Wells

All the bands were great, including a slightly nervous Dead, Southampton’s answer to the question what do we do without My Chemical Romance? They are well worth a watch, very energetic performance and although it was a bit too Black Parade and not enough Three Cheers For Sweet Revenge for me there is some true brilliance there.

A trip to the gents garnered another surprise as I looked up to find a photograph I shot on a poster I think I may have printed for a show by Everyone To The Anderson.

Everyone To The Anderson gig poster at The Forum in Tunbridge Wells

This was my first chance to witness Devil Sold His Soul V3 with new vocalist Paul Green. He is, and they still are, one of the best live bands in and from the UK. Kicking off with opener from A Fragile Hope – In The Absence of Light straight away it was clear that Paul has slotted into the team perfectly. He’s able to give the harsh and the smooth in equal measure without falter, something I found Ed Gibb often struggled with. The rest of the set was made of new material form the recent EP’s, it was clear that although this is a band who have now been hitting the road for a decade, this is a line in the sand and a new beginning. The songs are still the same but there is something new in the delivery and it was amazing to witness.

A Week With Skillshare

I saw a tweet from Dan Rubin, web luvvie, Instagram mogul and a fantastic photography. It was directing me to his free course on taking better mobile photos via the site Skillshare. I’d not heard of it before, and having missed an opportunity to do a workshop with Dan this year on mobile photography at some conference somewhere, I thought I’d take a look.

At the same time, I clicked on a handful of other courses, well if you’re going to be forced to create an account you may as well fill it up with shit right? And fill it up with shit I did. OK, you may feel that my use of the word shit is overly aggressive or inflammatory. I signed up to 10 different skillshare courses, all were based on photography of some form or another. I thought, hey here’s a nice way to pick up a few new ideas and techniques I didn’t know before and maybe inspire me to get off my ass and go shoot something again.

Pretty, pretty damn empty

I spent an afternoon going through a stack of photography courses, to come to the conclusion that Skillshare has a very solid format. A series of videos that are incredibly well shot, perfectly curated and tell you bugger all. What I came away feeling was that I had stumbled upon the newest way in which to advertise yourself, your business, or your partners int he guise of education and it’s left me a little sour in the mouth.

Students want industry insight

Back in October, Ben White, Viviana Doctorovich and I were given a unique opportunity to teach a one-day introduction to User Experience Design at Ravensbourne College in London, an institution that specialises in design, art and media.

The workshop was run for students in year 2 & 3 to coincide with the kickoff of their end of year project which would be focussed on digital product design. The workshop day had a full attendance and by the end of the day we had introduced the students to some core exercises and skills from the UX arsenal. We set them a brief for the day with a loose brief of designing an app for students to use during their first week as new students at Ravensbourne College.

Into the Den

Last week, I was invited back, along with faculty and another industry figure to act as a review panel for the end of year projects for year 2. It was surprising to see so many of the students who had attended the workshop had incorporated some of the design thinking exercises and skills we had taught during our workshop into their projects, notably some well thought out user journeys using both storyboards and flow diagrams.

During a back to back day, we were presented 14 product ideas and asked to provide feedback to the students. I was there to provide feedback on the product design, whilst my industry colleague provided business advice ranging from presenting skills to whether an idea is sellable. This is where at times our opinions differ and it was a shame that part of their project brief had been to find ways to monetise their apps and that there was a note of adding ‘social integration’, both of these requirements academically meant that many of the projects suffered as they looked for ways to tick boxes and crowbar requirements in (how familiar is that?).

There were some truly outstanding products and not a single group had created the same thing, they weren’t even in the same ballpark. Most groups had thought about genuine problems that concerned them and then thought about how to solve the problem. Almost all of the groups concluded that this was a solution only a ‘native’ app could solve; I highlighted that it wasn’t necessary to many as they had made website prototypes that worked better.

Students Want Insight

One project in particular struck a chord with me. One group had been looking into ways in which they could bring students, soon to be graduates and recent graduates closer to people within the industry explaining that as a young designer finding their way there are so many websites, so many design companies that it is impossible to know where to find the right information, inspiration and discover people’s work which may sway you to seeking employment with them.

The concept had some solid ideas, but a little lost in the ‘I want to make an app’ ideology, and I think is viable, to the point that I requested they get in touch to see whether we can make it happen.

It became the theme for the day. Why I was there was because the lecturers had acknowledge that there is a separation between academic study and application in the business world and we all need to work towards bridging that gap. Much of the feedback reflected on the research undertaken, the methods they could have used for more accurate results and how we would approach this research in a commercial environment. There are things which we do by instinct in our business lives which students are not being taught. Research methods like user interviews, or competitor analysis are not modules in schools and colleges, or at least not encompassing the exercises we carry out, and the way in which we choose to present and use this data.

This year at Clearleft we chose to not run any internships. 2015 sees us opening that door again which I am excited for, it was sad to not share our style, and work with a new generation of designers and to see what ideas are emerging from these new bloods. If you are interested in exploring what we do and spending a few months with us in Brighton, please send us your details to info@clearleft.com.

 

Slides from content marketing show 2014

Yesterday I spoke at Content Marketing Show in Brighton, UK. An event spun out the back of Brighton SEO, a longstanding event for them marketing types. I have a lot to write about the day in general; not until I have composed my thoughts, but for now here are static slides (there is a lot of video content in this presentation, which I was unable to show). I’ve included the presenter notes I had created and I will eventually make this into a post which makes more sense.

Static slides
http://www.slideshare.net/avangelist/designing-with-contentfirst

Doing something because you should

I was sat in a conference hall when my phone informed me that a show I was going to had been cancelled and would not be rescheduled. Another email followed with a notice of refund. I don’t know why, what it was at that moment that drove me but I headed to twitter.

Jonah shortly replied.

I’m blessed to work in an incredibly diverse space, with a very open group. I checked the diary and we had nothing booked in and decided I could fix this. I know what it is like first hand being on tour and a promoter pulling out, it can completely mess your schedule and you also have to consider the people who were going to attend, I can only imagine how worse it is if you’ve travelled 7,000 miles for the pleasure.

Using Twitter, Jonah and I arranged a time, he put together an RSVP list on his site, and at around 20:30, I sat down with 12 other people, friends, and fans for a very intimate, fun and special performance in 68 Middle St, and wow, the sound is just astounding.

If you can – do

We are all guilty of having something we can share with people and keeping it to ourselves, something which Jonah himself commented on, talking about how his love for playing and sharing music with people was what drove him and how he spends time with his daughter and explaining that daddy doesn’t have to go away for work – daddy wants to go away for work, it’s what makes him, him.

I believe that sharing whatever that gift you have, or even a commodity that you may have forgotten is what makes us good people, and I was thankful for being able to share this space with a few people, even if just for one night.

I want to thank everyone who came, from my old flat mate who I had not seen for 5 years, the lady who is soon to introduce the future into this world with the birth of her child, the guy who retold the story of being in 68 Middle Street for an illegal rave a few years ago and everyone who commented on how wonderful the space is and how fortunate we are to have a creative and open space like it in Brighton. I also want to thank Jonah Matranga for making that happen. I may have opened the doors and turned the lights off at the end but ultimately, it was his joyful persona and his music which brought this little group of people together. I hope to see you all again soon.

Dice – the app for buying gig tickets

I read on engadget today about Dice, an app just released for buying gig tickets which claims to ensure you pay whatever is listed on-screen and no more. This on the face sounds great right? This week I have purchased shit loads of gig tickets for the next few months. What I have also faced is a mixture of additional fees on top of the entry cost. The one which still confuses me is when purchasing direct to the venue and there not being a ticket stub to be sent just a code still being charged up to £3.00. That £3.00 is pure profit. Many will argue that it is to cover transaction charges from the card merchant, or cost of printing tickets, but I’m sorry that is bullshit. Having spent a great deal of time working at a venue I know the ethical ticket purchase model is to absorb that cost into the face value along with printing etc.

So Dice comes across as a great idea, but then I read into what was being described a little more and it sounded more like this is just another ticket reseller who aren’t going to show the ticket breakdown. I hope I am wrong, but the following makes me think otherwise.

…it allows anyone who has bought a ticket and suddenly realised they’re not able to make the gig, to sell their ticket back to Dice, which in turn can then sell it to the first person in the waiting line.

This says to me that Dice will have agreement with certain promoters, or venues to act as a seller for X number of tickets for each event. The fact they claim to make themselves cheaper than any other outlet by up to 30% because there are no hidden fees makes me wonder how they will be making money. This could be a completely new commission model where they get paid a percentage by the promoter/venue for each foot through the door that they brought in (which is exactly how street teams used to work in the 90s, and is still prevalent for flyer crews in the party islands such as Ibiza), or it could be that there is an immediate intention to sell the data collated from the app (most likely case).

And later, in the article was this this statement on how this is an app for fans because it can do this:

..This includes a new reservation feature that will let a user put aside a number of tickets for friends.

To be able to do something like that you need to have an allocation of tickets which you can hold, otherwise the distributor is losing the option to sell the tickets elsewhere.

As stated in the comments on the article from Engadget, this is still a positive move towards killing LiveNation, Seatwave; who I have written about with great disgust in the past, and Ticketmaster.I just hope it doesn’t become another shitty promoter app like Bandsintown or Songkick.

Returning to XboxOne

Last November I had made the decision to pre-order XboxOne for launch. I had been sold on the idea of an entertainment system over a games console, with various features outselling it for me against the PS4.

By the end of January I was swaying back towards the PS4, frustrated at the lack of content, slow progress on launch features that were still on their way and the buggy nature of Kinect. When Microsoft announced that Kinect was going to be removed from the mandatory list for developers my faith in the big black box was all but gone. So much so that after spending a week with the Kinect in a box, I headed to Game and traded in for a PS4.

Two days ago, I reversed the process, returning to Game and trading in again for XboxOne.

The PS4 is certainly a superior games console. I didn’t buy many games having done the majority of major titles on the XboxOne, but made my way through Strider, Resogun and exclusives Killzone and Infamous Second Son. Like the XboxOne, the PS4 has its own unique features that have died at birth. The touchpad and share button do virtually nothing. During Infamous Second Son, the touchpad has minimal usage for triggering QTEs, and the motion control within the new controller is used for spraying tags on walls throughout the city; the only use of it in Killzone was a single free-fall level where it was used to steer yourself through obstacles.

The share button seemed to there just for me to accidentally tap once in a while and be booted out to a config screen. There are some other issues I found with the PS4 controller when it came to buttons. The push states of the two analog sticks felt awkward under my thumbs, and the option button became hard to target in the same way as the start button of old, or the menu button of the new XboxOne controller. Although the controller looks sleeker than its predecessor, it’s small design presumably intended for the Asian market first, as with Nintendo’s devices, became fiddly and I routinely paused by my thumb dropping to the option button.

But interfaces aside I found a far more rooted issue with the PS4. It has no personality.

With the use of Kinect, XboxOne instantly has a persona, most of the time that of a petulant child, you tell it to do one thing, it will do something else, but even so, this behaviour is somewhat endearing. I find the idea that this little guy is desperate to try and take me where I want to go and occasionally gets it wrong. The interface is instantly brimming with content, whether it is in part adverts or not doesn’t bother me so much as it is on the whole content that I genuinely may be interested in.

The extended features such as auto-playing games that you are downloading after a percentage has been obtained is fantastic, something I was frustrated with on the PS4. I have a Yamaha YSP-600 Sound bar which all my devices run through. The XboxOne is able to detect this and pass remote commands to it meaning one less remote control to use, and fewer actions to be up and running. Xbox On pretty much activates my living room. I watch a lot of TV, but new mediums, Youtube and Netflix being the heaviest and the Youtube app for XboxOne is spellbinding. PS4 has none.

There is of course still a distinct lack of really great games on either console. But this is now in the process of change. with my re-purchase, I picked up Titanfall, now around £25, and it came with Destiny at the cost of an extra £10, both of which I played in Beta and felt underwhelmed, however when you having nothing else to go by, I am sure that the very casual pick up and play demeanour of Titanfall could see me sinking a lot of hours in as my get home from work mainstay to remove the fugg of web life.

This is my last switch, I wont be going back to PS4, not for a very long time to come at least, until that day, you can come play with me on XboxOne – AvangelistXMB.

A year at Clearleft, come and play

The end of summer, Monday meeting at Clearleft

At the end of August 2013 I got invited into a little room in the Clearleft office at Kensington Street, Brighton joined by Andy and Richard. I’d been freelancing with them since February, working on projects with Rich and welcomed into the Clearleft family. Even as a freelancer, I was invited on companies days out to the Design Awards in London, a trip to the new offices for a hackday to design the interior and many, many lunches. In that short time I was sad to see the departures of both Harry Brignull, who had been my lead when I had first started there and then Josh Emerson, a formidable young man with a very bright outlook that managed to cut any negativity that may be in the day with his presence.pa

My contract has reached its end and I walked in presuming I would be asked to stay on for a few more weeks to help cover the end of the project I’d been working on. I was more than excited when instead, I was offered a permanent role. A year has passed and Clearleft has grown considerably since I first stepped through the door on a Friday afternoon back in February.

Andy Dennis, headphones and a squint, standard

For those first few months, there was still this almost ad-hoc startup vibe. Andy Dennis, another contractor at the time and I spent most days working from a Sofa or Beanbag hidden behind the chairs and tables of Jeremy, James Bates and Mikey. I barely saw Andy, or Boxman for the first 2 months with their schedules a mixture of intensive on-site working and conference speaking around the world.

James Box, Nordic to the core

Being my first job back in Brighton, those first few months gave me the opportunity to rediscover all the things I loved about this town/city that I had lost working in the wilderness of Sussex and Kent. I was introduced by Batesy to the perils of the Chorizo and Cheese Sub at Hells Kitchen, routine trips to Pompoko and the endless discussions about where we were going to eat. And they are endless. Clearleft has an eating problem, one that you must fully embrace and allow yourself to get swept up in. Lunch is a big deal here, and whenever it is possible everyone sits and eats together, whether it is in the office, the park, the pub, or this year a lot of time on the beach. It’s the first place I have ever worked in where seeing somebody have lunch at their desk is scarce.

There are conversations of all kinds, every day, whether it is industry opinion and sharing our beliefs and ideas of how we can make the web better, weather we should listen to 90s shoegaze or 00s house, what film we should all go to watch at the cinema, or whether to have our own movie night instead, get some beers in, some pizzas and veg out. Together.

In the past year, we’ve moved home to 68middle.st, Sophie became a permanent member of the team after project managing the new build, Viv started in the height of the summer bringing her Argentinian flare, Tessa joined as we began moving home allowing Kate to focus more on our series of events. Graham upped sticks and moved from ‘the north’ to the sea; A man with many names, Gary, Philip, A certain Princess. I was incredibly sad to see Paul move on to great things at The Guardian just before Hackfarm, Ant started on the first day of Hackfarm, where I was fortunate to have an intensive induction into his wonderfully colourful character along with our 3 interns Victor, Zassa and Killian who have certainly left a mark and perhaps a little hole in our nest.

The Interns

In the last 9 months the family has grown again with the Granola and Legume munching Ben White, and Andy Thornton. We are now a company of 3 Andy’s, 2 James’s and 2 Ben’s. Barking at one another across the office space has become a gamble, never sure which person you’ll reach, but we get by.

It’s a diverse group. As long as you can accept that you will never beat Mark at anything, seeing as he now holds several world records for a few races that are a mere 100 miles in length, or that Jon will, know every single Canadian you meet, that you may have to queue for the coffee machine, and don’t mind the ongoing saga of Brighton’s best burger, then you quickly see that this is a place for friends, not just colleagues.

I’ve worked on projects with almost everyone now and have to say, I have never felt surround by so many intelligent, humours and loving people before. If somebody is down, we pick them up, if you need help, you just have to ask, it doesn’t matter whether it’s in or out of the office, work or something at home – there is not a person that wouldn’t give you the time and listen if you ever needed it. This is what makes Clearleft such an incredibly place to be. I’ve learnt a great deal from everyone at Clearleft, hell, I may have finally found a way to curb some of the teenage angst I’ve been so reluctant to let go of, although only through Mikey and I making a bet which I really don’t know whether I can keep up my end of all the way to Christmas and I am sure that Jess, will be trying her hardest to to push my buttons and make me crack, ever the mischievous one.

Jess wasn't a fan of Gastronamy at Hackfarm

We believe in working on projects that interest us, and give us the opportunity to work with new ideas, ideals and grow our own skills and knowledge. This is not a group of individuals who’ve taken their years in the field and are now coasting. Everyone is given a considerable training budget with no limitations on what you use it for, learning is the most important thing. We regularly have internal sessions to share things we have seen or learnt – just today Andy B, did a talk about why he loves Burning Man, having returned from another successful year and I am totally sold on this temporary city full of creative minds and exploration.

3 guys a cup and a sofa

And now, we’re looking to welcome another member. As our output has increased we’ve expanded teams, people have taken on additional roles on projects and we’d like to have another project manager. If you would like to join me, if what you’ve read today gives you even the slightest inkling as to the sort of place Clearleft is, please get in touch or check out the position on our site.

Week notes – August 18-22nd 2014

I started this week at 5am on Monday, once again blurry eyed staggering towards the train station heading for Gatwick for another two days work in Copenhagen. For the last fortnight I’ve been working with @iambenwhite on a design sprint which has been on the chaotic and haphazard side. At least this time we got to spend a bit of time in the city after choosing to find accommodation in an area that was more central, plus I not only got a room rather than a sofa but a proper shower. We’ve noticed there is an aspect of Airbnb that involves embellishing on the truth of your apartment far worse than any estate agent could conjure.

I finally got out on the bike in the dry for the first time this month and tried out my new RST 1piece suit. It’s going to take a few runs out to really break them in but it’s already started to loosen up and get comfortable. This week I’ve had two separate deliveries for wet weather gear for my trip to Europe in September (leathers are not waterproof) which have been a total failure. The first courtesy of Helmet City who delivered me a jacket instead of a suit and then Sportsbikeshop where I ordered a medium RST 1piece rain suit and my goodness are they small. That’ll be going back next week and instead I’ll be heading to Blacks or something of the like to get a new larger pair of waterproof trousers – hopefully without holes this time – and a rain jacket because the HRC one I bought is in fact far from waterproof (Thanks Honda, that’s why now I have a Suzuki).

I’m a fair way into Infamous Second Son and conclude it’s the same game as the last 2 only with even more irritating control bugs. When will there be a racer on the PS4? I’m actually missing my XboxOne a little. I’ve noticed that the PS4 is quite cold, both in its design and interface, the XboxOne had a brutish exterior without a doubt but the Microsoft UI design felt inviting somehow, something lost in the dead blue expanse of the Sony UI. Even though it frustrated me with the quality of games Forza 5 was pretty spectacular and allowed for casual pick up and play as well as some heavy sessions.

With the start of the week involving Cami’s bike being stolen from outside our flat my intention to buy a mountain bike are now well and truly on the back burner as there is absolutely nowhere to secure it or store it.

I’m looking forward to the Eurotrip in September, although this is now surrounded by frequent travel to Denmark which it seems is going to be a constant factor in my life for the next 4 months at least.

Death of the Avangelist

It was a name given to me, like most names it was not one that I chose but it was a reflection of my-self. It has carried itself with me for a very long time and today I made a significant decision although one in fact made a long time ago. The first domain I purchased was avangelistdesign.com. I wanted to have a website to show off my design portfolio; grunge mashups that were the hype of the time, sites made for bands and album artwork for too many artists to remember. Later I bought avangelistphotography.com, not really understanding the concept of sub-domains and here was where my photographs and stories lived.

Last year I began to migrate my web-based services out of Bluehost to other places, finally finding a home with A Small Orange. Today avangelistdesign.com expired, along with the hosting it was on and it will be dead in 30 days. I want my data to die and with the DO NOT RENEW button clicked, I’ve now turned off the life support, she will fade into the ether quietly, peacefully and I hope what she finds on the other side will be better than what she’s suffered over the last 5 years.

I don’t evangelise anything anymore, I’m lost, staggering around blindly in a world where everything is too close to the middle to know what is just and true.

May you rest in peace.

What happened to game demos?

With the latest generation of consoles comes a new paradigm to encouraging software sales for the Xbox One and PS4 and it involves hoping owners will purchase all games based on the limited library to-date.

I don’t really remember what PSN Store looked like back when I managed to get a PS3 in exchange for a mobile phone contract. The console had been out a while by that point, and I went straight out and bought Uncharted which had only just been released. But what I do remember is that almost every game that was available on the high-street had a demo available through the store.

Since trading my Xbox One in and trading up (or down, yet to be confirmed) I have noticed that there are virtually no demos or trial versions available for new releases. This is a format that even app developers for IOS have worked out – you’re more likely to convert a customer if they can at least see if they like your game.

So how come Sony’s new console is still only showing demo’s for launch title games released last November?

The other thing I have noticed about the PS4’s PSN Store is that it is using a subtle trick of showing ‘content’ in the catalogue by displaying titles available to PS3 and PS Vita. This makes bugger all sense. Yes, there has been a way to transfer games to Vita via he PS3, but the best way has always been to download direct to the device, and as for PS3 titles, well they can’t be played or viewed in any way on PS4 so why are you showing me this?

Staying in Bruge, a long weekend in Belgium

500 Miles, 3 countries, 3 nights, 4 days, 2 filet mignon, 2 waffles mikado, 3 pancakes with chocolate and some kind of fruit, 1 croque monsieur, 1 croissant aux jambon.

2 penalty shoot-outs, 3 Mexicans singing national anthem full-tilt in a bar in Ostend, 1 food and drink festival, 2 trips to the beach in not particularly ideal conditions. 5 pages of a new book read, 8 episodes of The Good Wife season five.

 

8 cans of Leffe Blonde at 6.9%, 1 bottle of acidic white wine mixed with 1 can of Sprite after 1 glass mixed with Coca Cola (we still haven’t worked out a name for it), 1 chicken salad on paper plates in motel room, 2 packs of mentos, 2 packs of crisps – 1 paprika, 1 ready salted.

A thunder storm, a mild shower, several outbursts of extreme heat followed by light winds. Sunburn in De Haan, rain in Dunkirk, blue skies over Calais, 3 bottles of water and 2 hands of shit head in a car park. 30 minute delay from Calais courtesy of Eurotunnel, drive car into motorcycle lane with a new Fireblade TT special and 2009 Triumph 675 in front and a group of Harley Davidson’s behind – still get on train first. A bizarre shower on the M20, 2.4 miles of 40mph on the M23, a full tank of petrol consumed.

Netflix shouldn’t cease and desist ISP errors

It’s a shame that Netflix have chosen to step down their recent customer experience experiment of displaying an error when video began lagging, or timing out that cited the viewers ISP were at fault, because for most of the time – they are.

For the last month my Virgin Media cable connection has been off more than it’s been on. You can see it starting to chug or being throttled down, regardless of whether the ISP claims they are not shaping traffic.

Although Netflix claim it doesn’t relate to Verizon’s cease and desist letter, they’ve certainly taken head of the legal threats from the major providers in the US. Meanwhile, in the UK, 99% of the internet infrastructure is owned by BT and whilst they have worked solidly for the past 20 years to improve the backbone of the UK, the final mile is still a huge problem.

I think Netflix are right to call out service providers. We pay extortionate amounts to of money every month to companies who on the whole provide us with mediocre services. Your cell phone that only gets reception in a small 100 meter radius of your entire town, the internet provider that doesn’t give you a consistent uptime or bandwidth, relying on their claims of *speeds up to XX. We need more apps that bash the infrastructure that is holding them back. It’s like 2014’s rounded corners.

Teamsport Go-Karts, Lancing

A few weeka ago, Cami and I joined a few friends for a night at Team Sport‘s Brighton (Lancing actually) indoor track for  two rounds of intense enduro. We were all new to the circuit and facilities situated on the Lancing Industrial estate just a few miles from Shoreham Airport, and were all impressed with how well they have kept the place.

The track itself is reasonably well maintained, although the wood panelling on the bridge could do with levelling out, and the karts themselves felt adequate for the short track.

It was the first time I had been for a few years, and longer still since running at an indoor circuit and within seconds I had remembered how physically semanding it is.

Over the course of the first session I got faster and fadter through the bacl section to the point of using the back straight sidewall as a bumper – probably not the best tactic, and finishing 4/7 with Cami behind by a few seconds in 5th.

The second round things got a bit hairier with everyone really pushing themselves and the kart capabilities. I span on the exit of the bridge trying to brake too heavy into the corner. Then a few more spinners cropped up behind going from yellow to red flags, before quite a spectacular up and over from Cami in the back s’s which lost us several minutes towards the end of the session.

Positions remained unchanged but all the times were marginally up. I just can’t figure out how to gain more time. So it’s a good job that after your first visit you’re offered a return for half price. We’ve got our vouchers and will be hwading back before Cami’s big wheel experience at thr end of the summer doing a Mustang GT track day at Brands Hatch

Broken in ready to be opened up

Saturday morning I creeped towards 500 miles on route back to Laguna Maidstone for the first service. Leaving early in the morning I took the extremely scenic route through Lewis, Chailey, Edenbridge and then across to Maidstone finishing up in the carpark at 497 miles. Not bad at all.

Once again I can’t fault the guys at Laguna at all, really nice people throughout. I dropped off my keys and was offered a cup of tea. The parts guys were great, I wanted to get replacement hooks for my Oxford rear paddock stand to replace the cups I got with it that were fine for the swing arm on the CBR600FABS but not very useful for the gixxer. They found the right bits and were cheaper than online! That never happens. Mark, who I did my purchase with spotted me across the showroom and came over for a chat and ask how I was getting on and I sat in a comfy chair, reading my book (finally finished Snuff by Terry Pratchett) until I was texted to say it was all ready.

With the sun out, I was able to dry off a little bit. My secondary objective for the day was to find a new helmet. I’ve had mine for a bit over three years and I’ve been really happy with it only I’ve now come to realise it’s actually too big.

Now the daft thing is, I should have worked out this fact from the sadly missed Simonchelli. When I first started riding I had longer, and in turn bigger hair. It was by no means comparible to the insane lions mane of Simonchelli, but it had some weight. Last year I decided it was time to do something different with my mop and started getting it cut quite a lot shorter than it used to be. I started to find that if I didn’t have a snood or balaclava on, my helmet had a bit more play with it. In the last few months I’ve also noticed that my ear plugs are playing up, only nothing with them has changed. It’s actually been because there is more play in the helmet and so the stalks are getting tapped on by the sidewalls.

So, I had two options, one being a schlep to Helmet City. Being in Maidstone I decided to head over to J&S who now live in the former home of Hein Gerrick. A young chap spotted me putting on a few lids and came over to help. What I am really looking for is an AGV Corsa to try, I’d already been in 4 shops and not seen one the shelf. Turns out, nobody really stocks them because they’re “high end”. I tried on an RPHA-10+ and it is a really nice fit. I think I’m sold on it. A small is 56 (my size) which seems crazy but it is proper snug and also quite light.

They had one with old Ben Spies livery down to £299. that’s pretty damn cheap, looking online haven’t seen it much cheaper. May be another trip to Maidstone in order.

Opened up

After a stop off at Parker HQ to see the folks, I heading back to Brighton with an engine run in and daring me to give it a poke. Turns out, and after seeing the fastest laps from the Tyco team these week at the Isle of Man TT it rips away without any trouble. As with the CBRrr, and no doubt the Ninja 636, these in-line four 600s are designed to be ridden at the high end of the rev range and once you do that, they feel amazing. Problem is, it isn’t particular fuel efficient and by the end of Sunday I’d caned a full tank on a trip to Wessons, a great little biker cafe, then over to Battle and back.

The gixxer is agony in town. 3rd gear wallows and you can feel the chain starting to tug at 30mph. It’s made worse in a town like Brighton where the council have now reduced in-town speed to 20mph, it’s 2nd gear for most town riding which of course is then guzzling petrol. Get out on the nationals however and it is sharp. Acceleration is immediate and I still haven’t pinned the throttle all the way open. In the right gear it’s easy to change direction in the corners and it sounds magical.

Getting my knee down

Still in the process of running in the new Suzuki GSX-R600, and with the sun beaming this weekend I arranged for a long trip to get some miles down with Parker Snr. It ended with me getting my knee down.

Not so shiny anymore, first scuffs on the RST Tractect Evo Pants knee slider this year.

Only trouble was it wasn’t the knee down experience I was expecting. We were maybe 40 minutes out of Brighton, and had been held up by a handful of back markers on our way to Loomies, a popular bike and car enthusiast stop point in the back roads of Hampshire and just about to get into a good session when things took a different turn.

Taking a casual sweeping left somewhere between Horsham and Cornwall I heard a strange sound. It was like a mallard with its neck trapped inside a six-pack plastic ring. Checking the mirrors I briefly admired my elbows (darn those Alpine elbow pads look good), before pinching my body in to make the Gixxer rear viewing devices remotely usable to see clear road trailing behind me.

OK, maybe I missed the turn, but I am sure I didn’t see an indicator on my last rear check. Didn’t I?

Parker Snr's Triumph XE makes an impromptu front-end blowout.

Turns out my observations were spot on! Sadly, the inner tube on the front wheel of Mr P Snr’s Triumph Explorer was not as it blew out at I reckon about 40mph.

The great thing about travelling around with a touring rider is that they’re laden up with all kinds of gadgets, gizmos and spares. Ironically, a front inner tube was not one of those, just one for the rear. He masterfully was able to bring it to a half at a junction just a few yards before the bend I’d lost sight of him on and this is where we stayed… for some time.

But all was not lost. We had tools, we had a puncture repair kit and cans of compressed air. It was time for some roadside repairs.

With the front wheel out we begun hunting for nails, thorns, broken glass shards, something to have caused the puncture. Nothing.

And here’s where the knee sliders saw the tarmac. Knelt on the roadside, with tyre irons in hand and some strange blue grippy thingys, we got the tyre out the way to find that the inner tube just didn’t look right. Half was sitting on the wheel rim, the other was lost up in the echelons of the tyre wall.As we pulled it out we discovered it was twisted.

The only explanation to this is that it had been fitted incorrectly by the last person to do anything on the tyre. It was basically a ticking time bomb, it would have happened at some point in time and we’re just lucky it happened at a relatively low speed with no traffic around. Front end blow-outs are the hardest thing to recover from, all your control is completely gone, no idea how he did it but the guy is as skilled as any experienced distance rider.

Come on, let's get all the tools out. Tyre irons at the ready.

Where the twist was in the inner tube the seam had split. As anyone with a push bike will know, these can be a real bugger to fix. We glued it up and slapped a patch on it and left it to dry gassing about nothing in the mid-day sun. With some brute force and creative thinking we got the inner tube back in the wheel and popped the tyre back into the rim. I had the idea of using the wheel seal can to give us a bit of double protection. That way if there was any stress with the split, we could cover and seal it from the opposite side of the puncture band aid. Something didn’t look right as we pumped foam into the tyre but it didn’t inflate at the same time. The idea of these cans is that they give you enough LB’s of pressure to be able to ride to the nearest garage at low speed and get some air in.

With the can completely expelled, Parker Snr, connected up one of his canisters of compressed air. These little bullets are so handy I may have to investigate them myself. Only it wasn’t our friend today and with one push on the nozzle the valve in the inner tube went bang with quite a racket.

It was game over.

Almost 3 hours before a recovery truck could get to us, I’m just glad that it wasn’t shitty weather otherwise it would have been a totally different story. Instead, I learnt how to get a front wheel out, how to fix a flat front – although I don’t have tubes, all my bikes to date have been tubeless which makes life far easier, and we got to have a good old natter about sweet FA in sunshine with plenty of bikes blasting past, and a couple were good enough to swing back around and check we were OK.

A trip to Loomies will have to wait a few weeks, next weekend is going to be very interesting indeed. Watch this space.

The Xbox One without Kinect from an owner

In a whirlwind of madness, last year I pre-ordered an Xbox One, something I wrote a lot about at the time.  The whole furor over the always on idea of the Kinect last summer forced Microsoft to do a complete 180 on their entire product, whether they admit to it or not, the backlash they received meant the entire business model changed seemingly overnight.

When the team entered the stage to announce the machine its mission was to make the Xbox One the sole device under the TV, replacing your PVR, and all other multimedia devices and become the singular entertainment centre in your home. Within 48hrs always on technology was dropped and Microsoft realised they had failed their core audience – gamers. Continue reading The Xbox One without Kinect from an owner

I want to endorse bands – on my bike

The all new 2014 Suzuki GSX-R600
The all new 2014 Suzuki GSX-R600

In the motorcycle world there’s a big trend in race replicas. This isn’t something you see so much of with cars, which seems strange, but hey, who am I to judge?

But I’ve got a big problem with race replicas – you pay extra to ride around on the bike of your choice providing free advertising fro multimillion dollar corporations who frankly, don’t need it. There are people who do need it, and that’s my #1 lovers – bands. Continue reading I want to endorse bands – on my bike

They didn’t sell a lot of records, but everyone who heard them started a band

In the space of 20 minutes on Pitchfork tonight I have read about and then watched the trailer for the long awaited documentary on the shoegazer scene – Beautiful Noise, and then an interview with members of Slint, debunking some of the mythology around them and their album Spiderland.

The connection between the two comes in the strap line of Beautiful Noise.

They didn’t sell a lot of records, but everyone who heard them started a band.

Never a truer statement have I read. I have no shame in confessing that I tried to discover music on my own at school but got swept up in Nirvana mania, Soundgarden and Helmet. I read RAW, Melody Maker and Kerrang religiously and found my footing from there. It wasn’t until College that the flood gates of amazement opened up my earholes.

It was in this first year of college that I was introduced to My Bloody Valentine properly, re-ignited with Curve, Pop Will Eat Itself, Hood, Do Make Say Think, Fugazi and the aforementioned Slint.

Working at the local music venue, we must have gone through at least 4 copies of Spiderland on CD. Everyone had a vinyl copy which was getting spun to death at home whilst we took it in turn to replace the beer stained, chipped cracked copies of Spiderland. We’d play it doing the hoovering. We’d play it repairing the cabs and subs, whilst the doors opened, whilst the doors closed and on the ride home.

Everyone played in one band or another. Once in a while we’d sit around knocking out some noises, but there was an unspoken rule – you don’t play Slint songs. None of us ever did it. By the time we had played Spiderland to death they were long gone. We had discovered them through the conduit of older brothers, sisters, work colleagues, who had found them through mysterious circles and channels which just don’t exist today in this connected world. We knew the secret. We’d found the purest of music, something so far from the mainstream that you could mention it in conversation as a test to see whether you wanted to carry on talking to this person or not. Snobbish? Absolutely. But how else were we seemingly few going to know who was going to show us more of this world?

When I moved to Brighton I worked with a guy, great guy who played in a band. I asked him their name and he replied Good Morning Captain. I choked on my beer, trying to understand what it made me feel like. Was this homage cool? How did this ‘foreigner’ know of my little secret place? But what I did know was that I’d like them if they were true to their name. They were, and I did enjoy watching their live shows and the wooden boxed singles I still have of theirs on the shelf in the hallway next to my Jesus Lizard 12s, and obscure screamo 7″s.

We’ll never have that feeling again

This weekend is The Great Escape festival in Brighton. 3 days of ‘unsigned’ bands. The organisers tout themselves as being the largest event of it’s kind in Europe. But if you look through the 150+ artist roster on the site, almost every page has a very glossy bio, at the very least a Soundcloud player with half a dozen tracks on and maybe a video.

In the last 5 years a number of bands, spoken of in the back of clubs, cited as pioneers, or revolutionaries have reformed. From Sunny Day Real Estate to Refused, these were some of the bands that through my teenage years and early twenties I held as the inspiration for playing an instrument. Bands like Refused, Botch, Slint, My Bloody Valentine, Chapterhouse, Floor (who’s debut has recently been re-released), these bands have become so influential and largely cited because they were genuinely ground breaking bands. What they were doing, the shifts they made in the scenes they existed in were monumental. They burned bright and burned hard because there was no oxygen around them to breathe, that’s why they didn’t make it into your homes, it’s also because, at the time they were extreme.

Listen to Botch’s American Nervoso today and you will hear a raw perfected version of every metal’core’ band around. But in 1998, it was fucking insane. When I was first finding out about Slint they’d been disbanded for 7 years already. Spiderland was created in the late 80s. Late 80s! Have you heard it!? And when My Bloody Valentine were creating white noise on Loomer, Guns and Roses were selling out the biggest arenas. Today nobody except the likes of Katy Perry and Beyonce, with the exception of Frank Fucking Turner, can sell out arenas and white noise has become the staple “we’re edgy” statement for any piss-stain excuse for an alternative indie band to the point that every digital effects pedal can do it on cue.

The internet has killed discovery

It’s not its fault either. It’s ours. Just ten years ago, message boards existed that supported a genre, full of people wanting to share what was happening in their local scene. When another person introduces you to another band it sounds so much better. It puts that artists into a context for you that you wouldn’t have got from picking it up in the local store, or being ‘recommended it’ by a marketing pushed system like Spotify (I fucking hate Spotify). Those days, well they’re gone.

This week, I was talking to a colleague about Fugazi. I’d walked to work with a riff in my head, trying to remember where it was from. As I sat at my desk it came to me. It was Nice New Outfit by Fugazi so I put on Steady Diet of Nothing. It started a conversation, we talked about the fact we thought we might have been at the same show, how we both think The Argument is verging on Post-Hardcore perfection and then he asked me if I had heard the new Evens album. I knew who they were – but I’d never listened to them.

A few years ago, my colleague would have said something like “oh it’s really good, I’ll bring it in for you tomorrow.” But instead he said, “I’m sure it’s on Spotify you should put it on.” OK. Cool, I’ll have a listen. Only I didn’t listen. Because it felt cheapened to me. I ran a search, pressed play and began to ignore an artists for 20 mins. It was out of the context it should have been. The excitement of being given something, somebody sharing with me their passion, the new thing they’ve discovered that they want to share and that. That is the feeling I don’t think we’ll ever get back.

Looking at photojournalism on the web

Last year I spoke at UXCambridge about how photography is treated on the web, my frustrations as a photographer and looked at a number of powerful photo-stories that have not conveyed as well on the sites they have been published to.

I’ve begun to rewrite my talk with the hopes of presenting it to a few crowds this year. In doing so I have rethought what it is that frustrates me with how photography is presented online, and my view is shared by many photographers from all sides of the craft whether it is photojournalism, fashion, portraiture or landscape. Continue reading Looking at photojournalism on the web

Suzuki GSX-R600 2014 Review

The 2014 Suzuki GSXR600 courtesy of Laguna Motorcycles

Today was another dream day. Back in the late 90s Suzuki released a ground breaking machine. The GSX-R600 had a revolutionary look. The bike which was given the nickname the SRAD (from its innovative Suzuki Ram Air Direct system) was a huge success with it’s radical styling and aggressive nature.It was my dream machine.

Thanks to Mark and the team at Laguna Motorcylces in Maidstone, Kent I got to test ride the latest 2014 model.

I’ve been on the look for my next ride for a few months now. Last month I took a day out to give the latest incarnation of the Triumph Daytona 675 a run and left the saddle somewhat bemused. The Daytona is an interesting bike. It’s got a jet engine inside it, plenty of torque but it’s just not for me. It’s really stiff all over, the rear-sets are severely high and the ergonomics are curious. The Triumph Daytona 675 has been designed for the track pure and simple. The fact they’ve created the R version just to upgrade the shock sets is completely pointless.

In contrast, the Suzuki GSX-R600 is a bike that has been designed and redesigned over and over to the point of what I am going to risk saying, perfection. Suzuki have acknowledged that people buy bikes for the road. The ratio of road to race circuits throughout the world is heavily swayed in the favour of roads – that’s what a bike needs to be good on.

Where I found the seating position on the Daytona to be a battle, the GSX-R600 instantly felt comfortable. Riding position meant that it felt as if the usual pressure you expect from a superbike – on the wrists – was instead being channelled through my hips, I don’t know how it just was and that meant flexible elbows, and no pressure being put through the bars.

After a casual run from Maidstone to Tonbridge I made the wise decision to go meet up with my old man and get him to put me, and the GSX-R600 through its paces on some more technical and, knowing my dad, goat-tracks.

Unfortunately, I completely forgot to put a microphone into my backpack as such the video doesn’t include a good commentary or engine notes, but it’s still worth a look to see how smooth the ride is.

What Suzuki have done with the latest incarnation of the GSX-R600 is re-imagine that stylish superbike of the 90s. The back that everyone loved has long been forgotten and yes, perhaps that rounded dolphin nose was looking a little untidy but that can all be forgiven.

The Gixxer ass looks killer with the indicators now brought up into a single rear unit under the seat like a flared cobra. Even with the European law on rear hangers it doesn’t look bent out of shape, in-fact I probably wouldn’t bother with a tail tidy.

The front also has some smartening up with the indicators built into the mirrors and a subtle amendment to the nose cone that continues to move it further away from the mantis face of the YZF-R6.

The ride was very comfortable. After an hour of mixed country lane and street riding with a smidgen of dual carriageway I didn’t feel tired, uncomfortable or like my wrists were about to be torn off.

Nothing on the ride got out of hand, power is readily available everywhere and stopping power appeared responsive – despite the fact that the GSXR still doesn’t have ABS on any model.

British Superbikes Round 1, 2014

All little boys like big noises and fast rubber
All little boys like big noises and fast rubber

A horrific day of extreme downpours meant that the Sunday qualifying for the first round of the 2014 British Superbike season was left with a somewhat miserable grid at Brands Hatch. Luckily for us, the sun broke through on Monday morning as we took a ride from Brighton to Kent for race day. Continue reading British Superbikes Round 1, 2014

Brighton storymaking workshop April 2014 with Christian Payne

Christian Payne

On Thursday I attended Christian Payne’s Storymaking workshop at Lighthouse in Brighton. The workshop was part of the free series of events being run by the Open University throughout the UK. I was the first to arrive, which meant not only did I get to nab all the good biscuits (bourbons) but was able to chat a bit more to Christian, and co-organiser Jane Matthews about the idea I have of communicating my work by telling stories and also wanting to make better presentations by understanding structure a bit better. The first half of the workshop consisted of a look into Christian’s history of photojournalism and essentially how he has been able to stay ahead of mainstream media by realising quickly that telling stories and getting information out to the world is not about how many megapixels you’re pushing or what software you use to cut your movies.

He took us through his digital toolkit from backup battery chargers to apps and his primary workflow before setting us the assignment of heading out into the streets and creating a story with just the  phone in your pocket. tagging everything with #ou_msw.

http://instagram.com/p/m5BxMBgWUS

With everyone back and their content pushed up to various networks using the hashtag, we were then shown how to use Storify to pull content in from everywhere and move it around to create a pleasing story. Here’s the result of the group curated Storify. I really enjoyed the seminar, that’s a closer description I wouldn’t call it a workshop, although I would say that it lacked a focus. I took away from it a number of things, all of which I would like to think I am going to be able to apply to my digital output generally.

Quality doesn’t mean polish

The latest iPhone, new Android handsets and of course the Nokia Lumia series are producing better and better quality cameras. We’re at a point now where phones really are better than the average point and shoot camera. It seems like only the likes of David Bailey and Greg Du Toit need the latest Nikon or Canon DSLR. Even warzones are starting to become more reliant on the agility and discreteness of camera phones.

Being lean means quicker storytelling

This has to be the primary lesson from this workshop. What Christian has shown is that the landscape of journalism and storytelling is rapidly changing and bloggers will continue to surpass mass media because of their ability to not be bogged down with cumbersome workflows and a misguided necessity of producing broadcast quality material (whatever that means now). I really hope that the Open University can continue to provide free access to education of all types with events such as this. I’d like to work with someone at OU to do a similar workshop for user experience, and specific areas of web design, so if you know anyone who can make that happen, send them my way.

Another bloody blog

This is something I have been wanting to do for two years now and I am finally going to resolve my issues. It is time to start a new blog that makes the most sense possible to me. And that, unfortunately, or fortunately, is going back to WordPress.

I can’t escape it. It’s still the fastest thing to get up and running with on your own server (this and my other sites are all still hosted with the good folk at Bluehost) and I know that even though the code is open-source, it shouldn’t ever disappear, and if it does – I know what the database looks like, I can get inside it and nothing – nothing – is lost.

Welcome. This is the new Blog By Andy Parker, I promise to look after this one, I’ve managed to water a Bonsai every two days for several years so I feel like I’m ready to take the next step. Let’s do this.

The landmine that is CXO

Yesterday a title I had not heard of started being banded around at the From Business To Buttons conference which has filled me with dread.

Chief Experience Officer, or CXO. My problem with this is that I can help feel it’s a rebranding exercise. Isn’t the idea of someone who is responsible for the service or product already with us under the monicker of Product Manager, or Service Manager? Why is there still this misguided need from the UX Community to create little Generals?

Throughout the talks of the day there was references to the creation of UX Teams, but I think this is wrong, I always have. User Experience is not a specialised skill. It doesn’t require someone with the magical powers of a creating great experiences, like some kind of conjurer, it is a value for whatever you create and it needs to radiate from every single member of the organisation, not just a team of 6 unicorns trying to battle against the rest of the company.

The idea of requiring a Chief Experience Officer to me sounds like the creation of a role to let everyone else off the hook of doing a shitty job and not thinking about how and why they are delivering and creating customer services. It would be the same as hiring for a Happiness In The Workplace Directory, responsible for making sure that everyone is happy, that cakes are bought on birthdays and that everybody walks away with a spring in their step at the end of the day. It just isn’t possible (although I know a Brighton company who actually tried this. It failed.)

Values can’t be enforced either. Yes, you can explain and share values with another person and in turn they can form their own ideas about them and perhaps then they will share your values, but fundamentally you either agree or disagree with a particular value. This is why I don’t believe in company values either because once you reach a particular size it is impossible to only hire the people you need based on shared values, there will eventually be a point where not everyone agrees on what is being done in the organisation and with your service.

As long as the founders retain the integrity that we hope they had at the start and that their values are strong and just, your service or product, or whatever it is you do will thrive, evolve and grow.

We don’t need new titles, we need to stop thinking about User Experience as the responsibility of a few people who are just good at listening.

Dear SeatWave, legal touting is killing live music (still) and it’s your fault

So today, I tried to do something nice. Sure I am a week behind the times but I wanted to get two general admission tickets for my parents to see Kate Bush. They saw her perform way waaaaaay back and it would be quite special to them.

However, once again I’ve been struck with the disgusting activity that is legal ticket touting. This is something that I touched on quote some time ago now. Back in 2009 I wrote this in relation to a report on paperless ticketing and also referenced attempts from Nine Inch Nails to combat touting with ID based ticketing. Continue reading Dear SeatWave, legal touting is killing live music (still) and it’s your fault

Kotaku UK! Horay! Run by Future Publishing.. wtf?

It’s recently been announced that Kotaku UK will be launching soon, part of the Gawker network’s ever growing reach setting up branches of sites in specific locations in order to target content towards territories. Not unusual so far sure, you can get IGN in the UK flavour too for example. But there were a few odd things in the press briefing. Continue reading Kotaku UK! Horay! Run by Future Publishing.. wtf?

The old two Google accounts problem

As part of my continued move to migrate to a single domain I was faced with a long term disease. Multiple Google Accounts. This all stems from not being able to switch username and or email address associated with Youtube. It’s still bloody ridiculous and actually goes against everything Google wants so why they still maintain this crap system I have no idea. Continue reading The old two Google accounts problem

I will not be a Netflix subscriber by the end of the summer and neither will you

For the last 24 months I have been paying the minimal fee for Netflix to be available on just about every device I own.

In that time I have discovered some good shows that I have missed from not being a TV watcher like Modern Family, It’s Always Sunny In Philadelphia, and of course the grand finale of Breaking Bad.

I’ve been able to revisit The West Wing, give Dexter another try, re-watched Sliders, Battlestar Galactica and with millions of others worldwide became a slave to Netflix exclusive House of Cards for all of 5 days.

Combining this with my occasional dabble into truly bad films, the likes of which you would have found in a VHS bin at a gas station, Netflix has been quite the winning formula (providing you have the savvy to use a US proxy, the UK licensing is somewhat lacking still). But this formula is now becoming diluted to the point where I can’t work out if it is orange squash or tropical punch.

As has been discussed at length by a number of respectable industry types, Netflix is moving to become the future of TV over the desire to be the future of VoD (video on demand). The audacity of Netflix with their future strategy is nothing short of ground breaking. Within a few years of their streaming existence they have aided in getting the major league players into rethink their licensing, and begin to accept that OTA (over the air) broadcasting is going the way of the Dodo, with this evolutionary shift escalated by our change in viewing behaviour – we want to watch when we want to watch.

It hasn’t been the huge success that Netflix wanted at the start. Instead, we have continued and if anything extended the fragmentation of TV entertainment with every network wanting their own Netflix. We had a similar issue in the UK when the BBC released the over-hyped iPlayer. Great for BBC who have the monopoly and therefore an application which spans a gamut of TV and Radio services, but for ITV to have their own? Only so much 60 Minute Makeover any one person can watch surely?

Unfortunately, where there might have been an opportunity for Netflix to guide the networks towards the light of the future, instead they have become a rival channel with the likes of Fox and HBO setting up shop themselves whilst others like ABC have seen the opportunity to increase distribution by trickling titles out on the platform. But for us, the consumers, we now have a hybrid that we didn’t originally want. Instead of a service for getting all our viewing needs in one place, without needing to be in at 9pm on a Thursday, we have just another channel and it’s still not showing the stuff we didn’t want to pay extra for but may want to have watched. The only thing missing is a schedule and a channel number… or at least it was until November 2013 when Netflix became available as a channel through Virgin Media in the UK along with NBCUniversal’s Picture Box, an interesting on demand service which plays on scarcity, titles are only available for a set time in the same way as most on-demand services operate.

The problem for me is that on the whole, I hate Television. The lyrics from Nobody Home by Pink Floyd spring to mind. “..I got thirteen channels of shit on the TV to choose from”, Only now we have one channel with 35,000 titles of shit to choose from. For every House of Cards there are 1,000s of “reality” shows. Kitchen Nightmares, Undercover Boss, Sons of Guns, Gold Rush, Myth Busters, American Chopper, all titles which are on constant rotation on broadcast networks designed to pad airtime around advertisement slots. The only difference is the type of bandwidth, replacing airwaves with data cables and I wouldn’t be worried to place a bet on autoplay becoming a feature for Netflix within the next 12 months either. It’ll just become another ambient stream which doesn’t require your interaction in order to fill your house with white noise.

Whilst Netflix has begun investing in its own programming; the disastrous reboot of the sleeper hit Arrested Development, the ludicrous and somewhat dismal Lillehammer and the award winning House of Cards, due to start its second season this week, it is loosing hundreds of licences every month. You could be mistaken for thinking this is down to some savvy thinking, cutting out the cruft that nobody watches based on intelligent design or based on viewing figures but you’d be wrong.

At £4.99 in the month (based on price in UK), Netflix simply cannot afford premium licences. The Avengers (the third highest grossing moving of all time) virtually blew their spending to get it onboard and it wont be staying there very long either. In January 2014 it was disclosed that there were over 300 titles not being renewed, although what they were, we probably wont get an accurate idea of.

As for basing anything on viewing figures, the recommendation engine Netflix started with has long been replaced with a well controlled influence engine meaning you are no longer being served up content that you might want to see. In fact, if you still use the Silverlight crippled browser version and rate titles – those ratings are doing nothing to what you get served up one iota. No, Instead you’re being prescribed what you should be watching – just like broadcast television already does to you, exactly what you were trying to get away from.

Furthermore, the user interface is designed to showcase certain ‘premium’ titles whilst others live behind some curtain somewhere on dusty shelves in the back intended not to be found. Search by genre and you will not see every title available within that genre. You may be able to stumble across a few more not listed on the panel by looking at the related titles in the preview panel of a title, and as for the genre tagging system, well that was gamed from the start to ensure there was an appearance of volume in the library. Every user will have seen at least one title which somehow has fit into every category available.

As Netflix has begun to transition in the last 6 months you may have noticed more and more TV shows being bulk uploaded each week. Axed titles like Life and Doll House, cinematic flops like John Carter and Jack Reacher and self-funded propaganda documentaries like Hank, and Mitt. Netflix, just like all television broadcast networks is going for quantity over quality, and whilst that has it’s place, even for £4.99 a month, it wont have a place in my living room, bedroom, bathroom or office for much longer.

Haynes Manuals move to digital publishing

The vehicle maintenance manual leader Haynes has finally made a move to create digital versions of their workshop manuals, with a vast majority of them already available through their new Haynes Manuals Online service.

Only from what I can understand from the dated site, there is a major and I mean cataclysmic failure. It is literally an online repository. Continue reading Haynes Manuals move to digital publishing

Brighton SOURCE stops printing

Over the weekend, Brighton’s first and longest running free magazine SOURCE announced it would no longer be printed.

As many people will say, when I moved to Brighton the SOURCE was the bible for doing anything. The internet was just starting to find its feet in the world of listings and a combination of SOURCE and Friday Ad were your guides to this wonderful, diverse city. Continue reading Brighton SOURCE stops printing

Why I deleted Readability app

Since buying my iPad back in 2012 it’s main use has been to either watch something or read something.

iBooks has given me the opportunity to fall in love with fiction again as well as quenching my thirst for learning whilst Netflix has enabled me to see American TV shows so mediocre that they’ve never been optioned in the UK.

Readability was one of the first apps I downloaded. The idea of now being able to take the laundry list of bookmarked articles I had in my browser, remove the crap from the page and be able to read at my leisure excited me.

But now I’ve deleted Readability. I no longer add articles to my list, I don’t even bother to bookmark things anymore in the off chance I’ll read them later and the reason? TL;DR. Continue reading Why I deleted Readability app

What happens to my data when I die?

“Hey dude, are you sitting down”?
“I’m always sitting down”
“We lost someone, there’s no other way to say it…”

This was not the conversation I expected to have sat in the middle of an open plan office with no escape late one morning early December 2013.

Many people in the web community have raised the discussion about what happens to your data when you die. Some have talked about putting passwords for services into their will, or the issues faced with services that may be here one day or gone the next, or that when the bill comes up for your domain name and hosting and it isn’t renewed that’s it. Gone, lost from the world.

Having experienced the death of a friend, I wonder how many have considered the ghosts in the machine.

Losing a close friend in my 30’s wasn’t something I was anticipating. For 15 years we had spent Friday nights and weekends together in pubs or at gigs. We shared music, cassettes and CD’s. took photos, made videos, and played video games. We took the same photography course at colleague, and grew up in an age of tape-to-tape hi-speed dubbing and processing your own prints in the dark room.

We were the last generation of phone cards, local independent record stores, renting videos from Blockbuster and going to festivals for the music.

When it came to the funeral arrangements, everyone contributed. On New Year’s Day, I sat with another friend and hundreds of photographs. Prints. We’d even scraped Facebook, and printed out a further 50 or more photographs. Another friend had spent the week converting mini-dv tape to avi, and scraping youtube, Facebook and people’s phones to produce a tribute video.

We stole from the digital world and returned it to the reality of analog. We made something binary into something real. Something which you can put in your hands, or insert into a video player, or dvd player, and experience, touch, feel the texture of the paper, the weight of the book, you can smell the glues, plastics and cards, listen to the whir of cogs spinning into place gripping a playhead or engage a laser to the plastic sheen of a compact disc.

We brought the dead, cold world of glass back to life.

During the funeral ceremony, we heard the saying, which I’ve heard too many times in recent years. As long as there are those with memories of us we live on.

In a strange twist of fate, I have been watching Black Mirror over the last few days. Many of the themes, in what I think may be the greatest science fiction series of all time, focus on the preservation of memories.

Two episodes which hit a very raw nerve featured the breakdown of a family through constant instant replay of past events and a bot service that allows you to talk to the dead. Both episodes play out to show the dangers in holding on to the fragments of people and moments. It makes you think of the risks born from looking at those that have passed with rose tinted glasses, allowing ourselves to manifest them into something that becomes so removed from reality that they fail to uphold the facade of the real deal.

Charlie Brooker has created a future not far enough removed from today to make it improbable but so well observed and crafted that I thought it was impossible.

But I was wrong. My friend, haunts me everywhere I go.

Slowly finding their way to the bottom of my call list are exchanges in conversation. In my messages lies a thread detailing 4 separate arrangements, for 4 separate meet ups at 4 separate gigs. My emails have a number of mails, the subjects simply stated :RE:RE: OI OI!

There is now a follower on my instagram who will never unfollow me, a person who I follow that will never take another photo, or like one of mine, or comment with something pithy about me living in Brighton and being a wannabe scenester.

On Youtube there are hours and hours of video. Gigs performed, attended and appeared in. Youtube may well outlive us all, and as of yet has never removed an account for inactivity.

The most unexpected apparition revealed itself when I turned on my Xbox to see my dear friend, sleeping whilst standing up wearing an oversized pair of denim jeans, t-shirt, baseball cap, that cocky look on his face asking me “Hows that taste”? He’lI never wake up, quietly resting in the friends space on the Xbox servers.

I know that XboxLive is going to exist for at least another 5 years, and after that it may well become something else, but the data on my drive, the one in my hands, in my house, that can survive as long as I wish it to.

Then there’s Facebook. In the last month, without prompting people changed their profile pictures and header images to the fun times we’ve all shared. A face on every post even though it isn’t their words being typed out. It turns out, Facebook is human, and allows you to notify them of someones death and request their page be locked and turned into a memorial. We’ve made the enquiries and will be done shortly.

These digital services, have a lifespan which we all accept, but there’s an impression that these lifespan’s are insufficient.

For now, the moment which I exist in, where oxygen is still passing through my lips, where I can touch things around me and know whether they’re hot, cold, soft or hard. An existence where I can take a strip of film and with chemicals turn it into an image, or press a button and print out a photo which I can look at, enjoy, get lost in for hours just by looking ahead of me. For as long as I can do this without needing to interface with 1 of 99 devices, smashing their dulled keys, or rubbing against their senseless screens before having to open window a,b or c, entering credentials to validate my right to visit my own space, and explore my own things, made with my own hands.

As long as that still exists, these services have a lifespan that is just about right.

Where have all the hardcore bands gone?

There was a reblog from Deathwish recently titled just say the safe word and I’ll stop which struck a chord with me.

It’s an article discussing the merits of Self Defence Family (current, past, former et et) and their relevance as a band that could leave you walking from a show uncomfortably blown away.

The original poster – safeasmalk talks about GG Allin and Jesus Lizard then referred to These Arms Are Snakes as his generation (and mine’s) equivalent. I was fortunate enough to see TAAS around 5 or 6 times during their career. Being in the UK we take things as they come and appreciate every body-aching moment. I remember maybe the first show, watching Steve Snere deep throat the microphone resulting with him vomiting on the stage. The last time, Ryan Frederiksen toured the entire venue using two bar stools as stilt, at one point using me as a resting post whilst his guitar lead ran nooses around members of the crowd whilst he convulsed atop of his plinths.

It was a truly terrifying experience and yet the most engaged I’ve ever felt at a show. They’re not the only ones I can think of but I can certainly reflect with the original article.

I grew up in the sleepy dull town in the shadow of its parent; Tunbridge Wells. We had an incredible music scene (it still does) and the best independent venue in the country (it still does). At the heart of the scene even to this day has been Joeyfat. A post-punk band with a revolving door on it’s lineup but with one main-stay, it’s front-man Matt Cole.

Over the course of the last 10 years I’ve seen M.Cole on all fours of a table, barking like a dog at a couple who were having a conversion throughout the entire set, rip the clothes off his body during 20 minutes of anguish, and on countless occasions he’s let us join him through warped take on the world.

It’s not about pantomime antics, I know that isn’t what safeasmilk was talking about – neither am I, and I can see why he is discounting Trash Talk who are indeed a powerful force onstage. But once you have seen them 3 or 4 times the illusion is broken. When you realise it is set-pieces rehearsed, in a loose sense, of whatever worked last time. Yes they’ll be in the crowd, yes someone will climb a PA stack, yes we’ll have a circle pit. The same went for the latter Gallows tours, you were guaranteed Frank Carter walking across the crowd and standing on the shoulders of his followers below. It becomes prescribed and unreal, it becomes – a show.

But it’s not just about the intensity in the delivery, it’s the content as well. Have we run out of things to rebel against? Are the wrong people making music now? What’s happened to the disguised anger of Fugazi or brazen assault that was Bikini Kill?

I get the point and I agree, where have all those bands gone?

There’s a recent star in the clouded sky of hardcore that I still pine for today. It burnt hard and burnt fast and that was Blackhole.

I took this photo during one of their last shows and that look, what you see when you look into those eyes – that is what is missing from bands right now.

We are regressing web design with Zoetropes

Once in a while I’ll go on a handful of naff list sites like Creative Bloq and trawl through their ‘10 sites that have great blah’ posts and now and then I’ll find something that makes me think. Today it’s this http://www.eone-time.com/.

This mixture of scrolling + css animate = animation, isn’t anything new really but it is become more and more common place and I really wish it wasn’t. Continue reading We are regressing web design with Zoetropes

the problem with XboxOne HDMI passthrough

I love the idea of the XboxOne integration with Television services. The options for creating a more interesting television viewing experience by having my cable box (not available yet in the UK) running through the Xbox. Fast switching between gaming and TV, showing TV broadcasts in the snap view so i can continue playing whilst my special lady waits for Home and Away to start all ticks boxes for me, or at least it would if it weren’t for one fatal flaw. Continue reading the problem with XboxOne HDMI passthrough

Forza 5 first impressions

Before I write anything about the XboxOne itself, I wanted to give a quick summary of my initial thoughts on Forza 5.

A few years back I played an early code of Forza 5 which left me feeling a little empty. I spoke to a guy on the stand and said that it suffered from the same issues as its predecessors – the visuals are stunning but the sound design is bloody terrible. Unbeknown to me at the time the guy I was slating the game to was one of the sound engineers. Ah Well, that was a few years ago. Continue reading Forza 5 first impressions

Meaning Conference 2013

I received a survey request from Nixon McInnes asking for feedback on Meaning Conference 2013, held at the Corn Exchange in Brighton last Friday.

I wanted to share my thoughts on the event and since the survey is so well structured I’m publishing my responses here.

What did we do well?

Just about everything I would say.

I admit that I find the school dinners concept something quite a painful experience. I had a similar scenario talking at UX Cambridge this year.

It can all too easily result in you sat with the people you work with and staying within your boundaries, which is good for some people but then it hinders those who want to actively talk to those they don’t know particularly well, if at all.

What could we have done better?

The balloons for talking points during the open lunch session just didn’t work. There needed to be facilitators attached to them. If you had provided workshop specialists to take the persons primary idea and build the discussion it would have been quite successful.

What are your greatest takeaways from Meaning 2013?

scepticism.

Honestly it is. I absolutely loved the event, all the talks were of an excellent standard and I think the curation of the whole thing was marvellous. But get anyone to stand in front of a group of people and tell a story there will be parts missing.

Rick Falkvinge cannot be denied the merit of starting the pirate party movement and proving that determination can achieve something. But it’s very easy to miss the real points why he got so far – a single driven focus on a subject that appealed to his audience and that, that audience was already captivated by his voice. “1 message in a chatroom”. Yes but what chatroom? Look further and it’s easy to let cynicism seep in.

The other was the story of Mondragon. Mikel Lezamiz did an incredible job of explaining how a giant cooperative works using words which may have terrified some people. What he didn’t really highlight, understandably, as it’s not interesting to the story is that the reason why Mondragon has been successful for so long is that it was founded in a region which has a culture so rich that its people have fought for independence from the landmass it is within. This culture is what has made the cooperative successful – the desire for self sufficiency.

Now try and do that anywhere that has not got that drive or desperate need for independence and it will be harder to form.

What should a ticket to Meaning 2014 cost and why?

I believe in education being accessible to everyone. The greatest failure for all conferences is pricing because ultimately they outcast anyone who doesn’t have a supportive company behind them.

We’ve all worked for companies who are reluctant to pay for their members to attend conference events of any type regardless of how close or seemingly removed they may be from day-to-day job roles. But those are the very people, the ones eager to learn, who will either be capable of changing those negative cultures from the bottom up, or leave a toxic environment in search of something better, something, good.

When I was a freelancer I couldn’t afford anything, when I was employed I could just about afford going to a single conference a year, paying with a credit card and worrying about paying it back later. This meant I was always picking the ones which I felt would give me direct practical instruction at the end which can be immediately applied to whatever I was working on at the time.

But those skills do not enable you to grow.

The current £60 marker for pre-orders makes this accessible to anyone I feel. Double that and you’ve just knocked out anyone who has to pay for themselves, double it again and you’re further limiting.

I sat in several different places during the day and I have to tell you, there were a lot of jerks in that audience who were only interested in how to better sell their company and make money

We want Meaning to have real impact – how do you think it could do that? What more would you like from it?

Put on a rock concert.

By that I mean consider something like Live Aid. Everyone focusses on the music part and forgets the work that it is trying to do. Both Bob Geldof and Midge Ure have said in recent years the reality of it was a failure for the cause. But it penetrated millions across the world and maybe just for that brief moment, everyone was focussed on a single issue with the potential to eradicate it.

Now I am not saying Meaning is the business equivalent to Live Aid. But why not? Isn’t that the point? To do something with meaning?

This year, the speakers were powerful in their presence, I don’t think there was anyone who didn’t take total command of the stage and the subject was primarily around doing something and being successful in business, I get that. But there was only one person who really hit home how much they have tried to do something which makes others lives better; Dr Sue Black.

Dr Black took us through her thoughts and journey of wanting to improve the support for the future generations to be skilled with technology and that a realisation that their home environments could affect this, turned her hand to helping improve the skills and awareness of mums – our real teachers in life. In a wonderful turn, she has not only helped children get support at home, but improved the skills and lives of mums and I hope by proxy begun the process for bringing the UK to the forefront of technological advances of the future. These peoples lives have been enriched by the good work of another, not for personal gain, but from the desire to help.

So why not take this conference as being a termination point to a campaign for change?

Why not make meaning more than just a conference and more a positive movement towards empowering and inspiring people to do wonderful things?

I sat in several different places during the day and I have to tell you, there were a lot of jerks in that audience who were only interested in how to better sell their company and make money. I accept they need to exist (these people) but I’d argue you didn’t change their mindset, just gave them ammunition to manipulate and abuse good intent for their own gain.

Don’t let the idea fizzle out after 24hrs keep the fire burning for a long time to come.

If you don’t read it there and then don’t save it

For the last 2 years I have been using readability to bookmark things I want to read but not at that moment and for a while it worked well.

In the last few months however I have noticed a shift in my reading habits. I’ve moved away from the routine of clipping a few things in the morning then going back at lunchtime or after work to forgetting what I have snipped and then when I open Readability on my iPad I’m bombarded with a stream of new articles.

As a sat last night I felt that I was wading through. These articles weren’t keeping my attention, I was drifting, thinking of other things and other places and eventually I made a decision. I painstakingly deleted everything in my list – the whole 36 saved articles. Continue reading If you don’t read it there and then don’t save it

UXBrighton 2013

Friday 1st November saw the 4th UX Brighton conference. I’ve enjoyed every year and the progression and skill in orchestrating such an event has raised the bar each time.

This year was focussed on psychology, a subject which all of us in the industry should be taking an interest in; if you don’t already. I enjoy reading books that are perhaps the pop culture equivalents of heavy texts. Things like Sway, Predictably Irrational, Freakanomics, or the Paradox of Choice are some of my most loved books and where I regularly draw inspiration from.

This year for me was a huge success. Every speaker bar-one was of an extremely high caliber, with subject matter seemingly broad but all related and thankfully, virtually zero reference to web design. Continue reading UXBrighton 2013

What is a Landing Page?

Work with any marketer on a website and they will talk to you about landing pages, the money spent on optimising and designing landing pages and why they want them. So, what are they?

The term ‘landing page’ comes from web analytics. The ‘landing page’ is the page which a visitor first comes to when visiting your site. You can put money into banner ads, adwords and other campaigns to generate traffic to this page and tailor it’s content to reflect the terms that a user searched for before clicking through. Continue reading What is a Landing Page?

Aperture Vs Lightroom, a real user review

Lightroom 4 on OSX still blazing fast.
Lightroom 4 on OSX still blazing fast.

Since the first beta of Lightroom I have used it. Around the final release launch of it I played about with Aperture as a studio I was working at regularly were swearing by it. I couldn’t stand it. Something about it just didn’t feel right at all. Continue reading Aperture Vs Lightroom, a real user review

The final straw for Newsstand

I have never been a fan of the Newsstand, for many of the reasons that Marko has published here, it purposefully hides content, the same as iBooks does, but the difference between the services is that the concept of a book is relatively static (I’ve yet to have a digital book magically update with a 2nd edition).

Publications within Newsstand are intended to have a frequency of content updates, whether that is daily, weekly, fortnightly, monthly, quarterly… it really doesn’t matter. One way or another the concept is a frequent publishing schedule that is tied to the world it’s skeuomorphic design was trying to protect. Continue reading The final straw for Newsstand

The Wolf Among Us – A game from the world of Fables

I got turned on to Fables by a friend last year who leant me the first three books. Fables is the story of the characters from the Grimm Fairytales living in the real world. Sound familiar? It should do because ABC’s Once Upon A Time ripped the idea, watered it down and is now into it’s third season. It is nowhere near as well written and developed as the original Vertigo Comics.

I found the trailer today for The Wolf Among Us by Telltale games, the makers of the successful Walking Dead point and click adventures. I have to confess I have started and not dug into the first Walking Dead title a dozen times now. There’s just something about it I am not engaged with. Perhaps it is Zombie overload, I don’t know. Continue reading The Wolf Among Us – A game from the world of Fables

The End of August

May be the busiest and fuelled weekends in recent years. Friday saw the official opening of the new building which will be home to Clearleft as of 1st of October.

Throughout September we’re hosting digital art exhibitions as part of Brighton Digital Festival before packing our bags here at Lighthouse and getting settled in ourselves.

The auditorium has an exposed rear brick wall which makes the space pop. I hope that people get to take a look around during the next month and start planning to put their events on in the new space. Continue reading The End of August

UXCambridge – Telling Stories with Photography

Next Thursday I’ll be talking at UX Cambridge. Looking at the day’s events I would say there is a good mix of workshops and talks going on.

I’m hoping to make it there in time for Neil Turner from TUI Travel UK talking about how TUI have transitioned their entire business focus to become more user centred. For such a huge organisation I know this has been a big ask, but they’re now starting to reap the benefits.

At the same time as me Matthew Ovington is talking about what he learnt from creating UX Guidelines at Paddy Power, whilst Bonny Colville-Hyde is running a workshop on content and responsive design.

If you see me, do come and have a chat.

Day One – Future of the left

August 1st 2013. This is my first day as a member of the Clearleft team.

I have been here in what will soon be know as the old office since mid-February. My first assignment was assisting Harry Brignull on quite a challenging project which appealed to his making right of dark patterns. Since then I have helped out at Responsive Day Out, UX London and Ampersand Conf. Continue reading Day One – Future of the left

Moto Sport Roundup July 2013

The final race week of July 2013 and it has to have been the most insane for years.

We saw Marquez take a shortcut to MotoGP Champion as he went high and wide over Rossi in the G-bending Corkscrew at Laguna Seca, Shane Byrne fell out of contention and across the track at Brands Hatch only to rouse a win in race two.

There was Tom Sykes’ exploding bike at Moscow with Milandri taking only a single a win for the day due to the terrible incident which sadly resulted in Andrea Antonelli crashing after turn 14 and later losing his life from fatal injuries once again showing that further changes need to be made to the rules when it comes to wet racing i,e, just don’t.

Solved: trouble installing Ruby and Gems on OSX Lion

I’ve not used Ruby a great deal, in fact I installed it many years ago with the intention of learning Ruby on Rails (oh so on trend) and then decided I couldn’t be bothered.

I wanted to try using Forward, a service getting your local domain out on a public DNS to find it is a gem you have to install and it wouldn’t install on OSX Lion. Continue reading Solved: trouble installing Ruby and Gems on OSX Lion

Both Microsoft and Sony games developers are now producing titles using agile releases – so why aren’t you?

In a post on IGN yesterday Ryan McCaffrey interviewed Studio Head Dan Greenawalt who was talking about Forza 5 requiring updates on the day of launch.

This isn’t DLC; although the download will comprise of game content such as cars and tracks. It is in fact a scheduled release. Continue reading Both Microsoft and Sony games developers are now producing titles using agile releases – so why aren’t you?

Barriers to entry – Email marketing foul ups

A pattern I am seeing become more and more common is excessive data requirements to sign up to newsletters. There should only ever be one mandatory field to enable someone to sign up to your newsletter and that is an email address where they can read it.

Looking at a number of charity and non for profit sites today I am seeing a varying range of mandatory fields from needing your full name all the way to your postal address, date of birth and telephone number, all to sign up for an email newsletter. Continue reading Barriers to entry – Email marketing foul ups

I can’t understand how Myspace have gone so far past the mark

I accidentally clicked a link and it took my to a band myspace page. I don’t even know how it happened I thought the domain had expired by now.

More terrifying was the grey abomination that presented me when the page loaded up. The sideways scrolling twaddle that constituted content was illegible on my laptop. I then took a look at the NiN page which consists of a tome of a biography split into text columns across several side swipes (down scrolls on the mouse for me). Continue reading I can’t understand how Myspace have gone so far past the mark

Connectedness

Since the start of May I have taken a new approach to using certain communication tools. This has mainly involved how I use my phone. Firstly, I removed all email accounts from it, realising that they were only really there for killing time, endlessly checking for what shit needed to be deleted from my inboxes; this does open the question is it worth having an email address at all? Continue reading Connectedness

We die young

I was shocked last night to be told the news that Ashley Maile, Photographer best known for his work with AP and Kerrang and Brighton resident, passed away this week.

I haven’t been able to get in touch with anyone to find out what happened but he was young. Too young to be exiting stage left in 2013. When he moved to Brighton he became a frequent face at the front when I was still shooting gigs and I spent many an evening chatting about everything and nothing with him, captivated by his pleasant company,trans Atlantic twang and ability to wear sunglasses as a headband and combat shorts regardless of the time of year.

In true skill swap style I traded web skills with shutter skills and we would regularly meet up for a drink and talk about what I was doing and how I could improve my work.

Ashley was a guy who was always happy to talk to you and he gave me a few jobs lighting studio shots for his work and helped me get a few gigs with some magazines which I am eternally thankful for. He taught me etiquette, grace under fire and that big leather wristbands will never go out of style in rock and roll.

You can always tell one of Ashley’s shots when you’re flicking through a mag. Some of my favourites have to be the Jeep shoot with Funeral For A Friend, his Metallica black and whites for TG and his shots of Telegraphs at Helingly Hospital.

One of a kind.

Weeknotes

This week has been a balancing act.
Monday was written off by a cold that I lost the whole weekend to. It did give me the time to find out what has happened with my tax return paper work; culminating in a 45 minute on-hold call with a very short loop musak.

Transpires back in November last year they processed the wrong forms and I was never enabled for submitting online. Now I have to wait for another 2 weeks to get the pin code to log in to then waste a morning filing a tax return for half a year.

This week @clearleft has been full on. I’m balancing updates and evolution of a prototype that we decided would be best served going straight into HTML whilst getting a new promo site off the ground.

I met up with Adnan and Emma from Hatch to see what they’re working on at the moment as the new site comes ever closer to launch, John Loch will be most pleased with what seems to be evolving behind the bulk head.

Friday saw the second food market and the Brighthelm Garden so we all took a stroll up to see what the score was. It’s a great idea and I think bringing some independence back into b’town which frankly is starting to lose its sparkle as more and more chain stores flood the town centre.

Is Google+ introducing dark patterns?

I discovered over the weekend that by disabling and removing my Google+ ‘account’ the other month I in turn disabled my Youtube account, which I do use regularly.

I hadn’t realised this until I went to post a link to a video I shot a while back onto this blog only to be greeted by a note saying, “welcome to Youtube!”. Shortly after my girlfriend quizzed me saying she had just received a notification that I had ‘joined’ G+ and asked me how come as I had said I had deleted it ages ago. Continue reading Is Google+ introducing dark patterns?

Infamous 2

I’ve just finished Infamous 2 on PS3 courtesy of the PSN Plus instant game collection.

As with the first game in the series, the comic book stylings and plot appealed to me but it was marred with shoddy controls.

Same as with the Assassins Creed series, the free to running aspects just don’t work without serious amounts of frustration being passed onto the controller. Regularly our hero Cole jumps and floats around ladders, overshoots a tram line or falls 100 stories instead of grabbing the next ledge down.

In spite of this, I have still enjoyed it, but I would have put more time and exploration into it if I it weren’t for the controls. All the way through both games I couldn’t work out whether projectiles or hand to hand combat was meant to be the optimum attack mechanism. Until you’ve dented a fair bit of side missioning (how you unlock upgrades) your projectiles are pretty weak but with everyone shooting bullets at you getting in close enough for some rough and tumble proves equally as hard.

The second instalment was certainly a vast improvement on the first (Which I have to say I gave up on 2/3rds in) and the art direction was considerably better.

Another feature which I completely ignored was that of playing a mission created by other players. A trend that has been around a long time now I just don’t get it. If I wanted to play half baked ideas from the guy in the flat next door I’d ask him what he’s released on XBLA and buy his junk. It’s a theme in games of late that I would like to see go because it dilutes the quality of the content for me.

The revolution will not be televised, you’ll make it in the garden shed

This week saw the launch of defcad.com. Dubbed as the Pirate Bay for 3D printing, they’ve hit major news headlines for their desire to publish blueprints for firearms. Now, I cannot agree with this notion and find the way in which founder Cody Wilson is going about raising money for the project. I don’t agree with access to firearms for the general public and especially in that there is no justifiable reason for a member of the public to own an AR-15; you shouldn’t bare arms full stop. However, my instant thought was to revert back to James Burke speaking last year at dConstruct. In his closing he presented a view of the near future and nano factories in every home.

Pushing further down the page and reading the manifesto for Defcad, you may be forgiven into thinking that this is in fact somebody attempting to move closer towards this potential utopia of self sustainability with his statements relating to law change, regulation and patent owners kicking up about the ability to print your own Ford GT for example. You would be wrong. There is no agenda from Wilson other than to stir up some shit and rebel against a government he doesn’t like. He is in the truest form a fuckhead.

Sadly, I believe that we need these fuckhead’s to be able to reach an existence where there is no currency, there is no need to work, anything you could want you can have. The future whereby everyone has their own nano factory slowly creating just the things they need and enjoying the world in which we inhabit.

James Burke audio from dConstruct

Originally posted on avangelistdesign.com